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Views from the Choir Loft

Articles

Mark Haas · November 10, 2025

What surprised me about regularly singing the Gloria in Latin

“A chorus of groans erupted: ‘Mr. Haaaaaasssss, whyyyy?’”

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Jeff Ostrowski · November 8, 2025

PDF Download • “Music List” for 9 November

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Corpus Christi Watershed · November 7, 2025

Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark

Richard J. Clark interviews Hannah Houston Re: the “Simply Liturgical” website.

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Corpus Christi Watershed · November 5, 2025

“Reader Feedback” • 5 November 2025

“Although I don’t have much to offer, I want to be able to offer something for the great work you do!”

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Jeff Ostrowski · November 4, 2025

Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”

Unsolicited advice for prospective choir directors.

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Mark Haas · November 4, 2025

When Pilgrims Sing, the World Disappears

“Their culture blended into the harmony of the Church. They were no longer citizens. They were Catholic.”

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Daniel Marshall · November 1, 2025

The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

“This year, November 2nd falls on a Sunday—something that hasn’t happened since 2014—and suddenly, every person in your parish has the opportunity to encounter this profound liturgy.” —Dan Marshall

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Veronica Moreno · October 29, 2025

PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin

“Although it’s not a lengthy piece, it uses techniques which singers love: canon, pedal tones, memorable tunes, etc.” —Veronica Moreno

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Mark Haas · October 28, 2025

A Practical Method of Projecting Solfege for Chant

“The choristers are not only learning the Propers more quickly but are also internalizing the sound of solfege in relation to Gregorian modes.”

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Corrinne May · October 27, 2025

PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

‘Outstanding choral repertoire for men’s voices is more precious than gold.’ —Corrinne May

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Christopher Mueller · October 23, 2025

Children’s Repertoire • Mueller’s Recommendations

Further thoughts about children’s choirs…

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Jeff Ostrowski · October 22, 2025

PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations

This 4-page ‘insert’ contains the seasonal Marian antiphons and various settings of the “Kýrie” my parish will be learning.

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Jeff Ostrowski · October 21, 2025

False Accusations

Even if the accusation is false, we tend to think of that person—forevermore—as “tainted” or “damaged goods.”

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Jeff Ostrowski · October 20, 2025

“Can Choral Music Survive?” • 3 Reasons It Will

You may think I’m crazy, but I have a belief when it comes to choral music.

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Mark Haas · October 20, 2025

A Simple Way to Sing and Notate Organum Harmony

“Organum is a humble addition to Gregorian chant, yet it opens a profound sonic world.”

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”

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