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Views from the Choir Loft

Articles

Mark Haas · September 5, 2025

Is ‘Chant’ a Generic Word for ‘Sing’ ? • No!

To call any form of liturgical singing “chant” is to obscure the meaning the Church has always attributed to Gregorian chant.

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Jeff Ostrowski · September 5, 2025

Catholic College (2025) Sings Vespers in SATB

Are any readers capable of identifying this Catholic college?

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Jeff Ostrowski · September 2, 2025

PDF Download • “Full, Conscious, & Active Participation” (12-page pamphlet)

During my research, I discovered three previously-unseen photographs of Hannibal Bugnini (taken in November of 1979).

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Veronica Brandt · August 31, 2025

Online Breviary With Chant

Breviarium Gregorianum takes all the work out of assembling the music for singing the Divine Office.

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Guest Author · August 30, 2025

Installment #6 • “Serious Problems with the Lectionary Translation”

“If we had known what the prayers really said, we would not have wanted to pray them any longer.” —Paul Inwood

Guest Author · August 28, 2025

Installment #5 • “Serious Problems with the Lectionary Translation”

Executive Director (emeritus) of ICEL weighs in on our series.

Jeff Ostrowski · August 26, 2025

Brave Schola Director Posts ‘Live’ Recording

In the case of one gentleman, this was only the 2nd time in his life he’s sung in a choir!

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Mark Haas · August 26, 2025

“Cracker Barrel & Catholicism” • Logos and Lessons

“A restaurant’s niche—just like a Church’s patrimony—draws people in not by blending with the generic, but by standing apart.”

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Jeff Ostrowski · August 25, 2025

“Reform of the Reform” officially embraced by USCCB

As to whether this matters … who can say?

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Corpus Christi Watershed · August 22, 2025

Father Chris Smith Celebrates 20 Years as a Priest

We believe our readers will recognize the polyphonic Mass setting chosen.

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Guest Author · August 21, 2025

“Practical Solutions to Impractical Problems” • Lerner’s Philosophy of Parish Music

Simple chants (sung well) save souls.

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Veronica Brandt · August 20, 2025

Gregorian Chant Academy Free Workshop

A polished, relaxed introduction to Gregorian chant from a dad trained at Norcia.

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Jeff Ostrowski · August 20, 2025

Cardinal Heenan Speaks About Monsignor Knox

“He was perhaps the greatest figure in the Church of the twentieth century.” —Cardinal Heenan, Archbishop of Westminster

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Mark Haas · August 19, 2025

An Arranger’s Walkthrough of “King’s Weston” (PDF & MP3 Downloads)

“There is a sacred calling for those of us who compose and arrange music for the Church.”

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Jeff Ostrowski · August 18, 2025

Finberg Missal • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages

One of the rarest (and most valuable) treasures our organization has ever made available.

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Corpus Christi Watershed

President’s Corner

    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • “Panis Angelicus” • Organ Accompaniment (7 Pages)
  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)

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