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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Palestrina’s “Ave Maria”

Jeff Ostrowski · June 18, 2025

OU CAN WATCH a billion YouTube videos on “how to become a plumber,” but at some point you must take out tools and produce something. You can read a million books entitled “how to become an artist,” but at some point you must take out a pencil and start drawing. Many of us have elaborate ideas about how we would direct a choir. Similarly, many of us have beliefs vis-à-vis how we would run a sacred music conference. Nevertheless, at some point one must actually do it. Only by doing it in real life does one learn important lessons. I’ve been responsible for overseeing the Sacred Music Symposium for ten years. Yet I’m still astounded by the sheer amount of “little details” which must be taken care of.

Palestrina “Ave Maria” • The following rehearsal videos were produced at breakneck speed. I’m not particularly happy with them … I would have preferred much more time. However—as I’ve tried to explain—ultimately each of us has only so much time. It is better to produce something than to produce nothing. Below is what I came up with. I sang all the lines except the SOPRANO.

*  PDF Download • “Ave Maria for Five Voices” (PALESTRINA)

Free rehearsal videos for each individual voice await you at #24006.

Feeling Crestfallen • Notice the part that says “rehearsal videos for each individual voice await you at…” Most readers won’t take the time to click that button—which leaves me feeling rather crestfallen, because producing such videos requires meticulous work. Even if you’re not currently singing this “Ave María,” I still encourage you to go check those videos out. The music scrolls in front of your eyes, and you can have fun singing along!

Theotokos • The Jesuit martyrs of North America had a deep devotion to the Blessed Mother. Abbat Pothier also had a fervent love for Mary, as evidenced by his 1903 CANTUS MARIALES publication. It’s interesting to note that Pothier is (perhaps) best known for his Gaudens Gaudebo INTROIT adaptation assigned by the universal church to 8 December, the feast of the Immaculate Conception. Abbat Pothier was born on 7 December 1835 and died on 8 December 1923. Younger siblings always imitate older siblings. Similarly, I believe we should imitate the holy Jesuit Martyrs of North America (and Abbat Joseph Pothier) by cultivating a Marian devotion. For that reason, I’m glad we are singing Palestrina’s Ave Maria for Sacred Music Symposium 2025.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbot Joseph Pothier of Solesmes Last Updated: June 18, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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