These rehearsal videos were recorded by one person, and he apologizes for the poor singing quality…
Main Content
PDF Download • “Mass Propers for Weekdays, Commons, and Saints” (1,294 pages)
Useful links as a “follow-up” to Mæstro Clark’s article about Fr. Weber’s plainsong settings.
Heresy du Jour? • (Orig. Published in 2019)
In the early XIXth century the Duke of Wellington, speaking of infantry battles, is said to have exclaimed, “All soldiers run away. The good ones come back.”
Helping “Tone-Deaf” Men Match Pitch
Ever had a man express interest in your choir, only to discover that he has trouble matching pitch? You may just need to unlock his high range. Here’s how I’d approach the situation.
19 October 2020 • Feast of Father Brébeuf
When the young priest saw the burnt and bleeding body of his superior, aghast and trembling he spoke the words of St. Paul: “We are made a spectacle to the world, to angels and to men.”
Dom Pothier • “To The Eyes And To The Ears”
For years, I couldn’t understand this business about “the eyes and the ears.” What did Pothier mean? Then it hit me.
Indispensable & Accessible: Fr. Samuel F. Weber Propers in English
Indispensable and accessible: these antiphons possess sublime elegance that grace the Novus Ordo Mass with simple, yet proper reverence and solemnity.
The “Mora Vocis” • What is that?
The “Pre-NOH” editions have quite an idiosyncratic way of lengthening the neumes.
A New Sacred Music Institute • with Free Tuition!
If only I could do a better job of making people aware of this!
PDF Download • “Taste and see the goodness of the Lord” (Responsorial Psalm)
Including a written tutorial on how to perform Chabanel Psalms correctly.
How to Stay Prayerful as a Church Musician
It all boils down to recollection. This 39-page book will help. (And so will one weird trick with your computer, as the clickbaiters would say.)
“Homily for the 20th Sunday after Pentecost” (EF) • Father Valentine Young, OFM
I think we can learn something from this pagan official.
Catholic Architecture • “Modern vs. Ancient”
A picture is worth 1,000 words…
Sacred Music Boot Camp 2020
Three days of practical chant instruction and immersion in the treasury of Catholic sacred music
“Arranging Polyphony for One Voice” • (Live Rec.)
When faced with restrictions on the size of the choir, history suggests that we can adapt music for smaller groups, including groups with only one singer.
Photo • Archbishop Fulton J. Sheen
…praying the holy rosary with his office staff.
PDF Download • Communion Antiphon (Mt 16:24) with Organ Accompaniment
To give you an idea how this sounds, I recorded the piece on my toy organ.
(Installment #10) “Catholic Hymnals” • Chris Mueller
Father Rutler makes five crucial points.
“Homily for the 19th Sunday after Pentecost” (EF) • Father Valentine Young, OFM
The word “grace” means a gift given to us by God. Sanctifying grace is first given to us when we are baptized.
The Real Reason Why Some People Don’t Match Pitch
I’ve come to realize that the vast majority of “tone-deaf” people aren’t really tone-deaf at all. They just haven’t been trained to coordinate their voices with their audiation.
PDF Downloads
PDF Download • Extremely Rare! — 1966 “Book of Catholic Worship” (809 pages)
Do you recognize where these pages were stolen from in 1966, when they hoped nobody would notice?
PDF Download • 1928 “Invitatory” (86 pages)
The “invitatory” occurs at the beginning of Matins and therefore introduces the daily divine Office.
PDF Download • “Communion Antiphon” (with organ accompaniment)
An exciting new project gives me great hope for the “musical future” of the Catholic Church!
PDF Download • Organ Accompaniment for “Veni Creator Spiritus” (Each Verse Notated)
Accompaniment to the hymn “Veni Creator Spiritus” with all the verses written out (composed by Jeff Ostrowski).
PDF Download (2,092 pages) • “Liturgical Notes on the Roman Missal” by Archbishop Schuster
Blessed Alfredo Ildefonso Cardinal Schuster was a Benedictine monk who became the Archbishop of Milan.
“Stella Caeli Exstirpavit” • Gregorian Chant During Times Of Pestilence
I would give anything to know how these girls created this recording—because it’s free rhythm!