Views from the Choir Loft

Dr. Samuel Backman • Article Archive

Dr. Samuel Backman earned degrees at Saint Olaf College, Yale University, and the University of Oklahoma. He currently serves as Director of Sacred Music at Holy Cross Catholic Church in Minneapolis, Minnesota, where he chairs a multi-faceted music program across three campuses. He resides with his wife in Minneapolis, Minnesota.—Read full biography (with photographs).

Dr. Samuel Backman · June 6, 2025

“Participation” • Recovering its Receptive Dimension

“The goal of our active participation is not that we might shape and mold God, but that he might shape and mold us.” —Dr. Samuel Backman

Dr. Samuel Backman · January 24, 2025

The Lofty Nature of This Goal

The lofty nature of this goal…

Dr. Samuel Backman · November 5, 2024

Bending Your Ear • A Sound Theology

“The way in which music is deployed in the Holy Mass has a direct impact on how we understand our relationship with God.” —Dr. Backman

Dr. Samuel Backman · September 19, 2024

Is Investment in Sacred Music Really Necessary?

“About a year later, when many Covid restrictions had been lifted, we saw quite an influx of new faces come into our parish…” —Dr. Samuel Backman

Dr. Samuel Backman · July 24, 2024

Sacred Music and Suspicions of Elitism

“While a student, I was told to avoid playing Bach in the context of worship, as doing so might give the impression that I was targeting a sort of ‘elite’ class.” —Dr. Samuel Backman

Dr. Samuel Backman · January 10, 2013

Biography • Dr. Samuel Backman

Samuel earned degrees from Saint Olaf College, Yale University, and the University of Oklahoma…

15th Sunday in Ordinary Time (Year C)

This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.

—Jeff Ostrowski

Music Director Job • $80,000 per year

Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!

—Jeff Ostrowski

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed