Corrinne May • Article Archive

Corrinne May is one of Singapore’s most celebrated singer-songwriters. Her best-selling album, 2007’s ‘Beautiful Seed’ was certified platinum in Singapore and her newest album, 2012’s ‘Crooked Lines’ topped the charts in Singapore and attained gold certification within its first month of release. She is also a wife and homeschooling mother. —Read full biography (with photographs).

Corrinne May · September 16, 2020

(Installment #9) “Catholic Hymnals” • Corrinne May

I searched through the pages and could not find any reference to who put this hymn compilation together—although it seems to have been created about 30 years ago…

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Corrinne May · August 5, 2020

That Little Tabernacle Light

Many of the faithful here have not partaken of the Eucharist for many, many months.

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Corrinne May · July 5, 2020

Biography • Corrinne May

Corrinne holds a B.M in Songwriting from the Berklee College of Music in Boston and a B.A in English Literature (Hons.) from the National University of Singapore.

For the Upcoming Choir Season!

Last week, I posted an SATB choral setting of the SANCTUS in a ‘contemporary’ style. You might want to consider this piece for two reasons: (1) It’s extremely brief; (2) Free rehearsal videos are available for each individual part. The piece is by Father Lhoumeau.

—Jeff Ostrowski

PDF Download • “Sunday Vespers” (22 pages)

When an organist accompanies Vespers, there is no time to think. It’s one thing after another: Bam – Bam – Bam. And that’s what makes Vespers difficult to accompany; there’s hardly even time to check the key signature for each piece! Therefore, although it’s far from perfect, I’m releasing this 22-page booklet:

PDF Download • SUNDAY VESPERS ACCOMPANIMENT

As time goes on, I will explain why I believe this booklet is important, my hopes for it, and why I selected the official edition, directly from the Vesperale Romanum. In spite of its imperfections, creating this (draft) booklet required much more effort than I had anticipated.

—Jeff Ostrowski

11 July 2022 • FEEDBACK

Someone who heard the CCW plainsong recordings with NOH accompaniment says: “For years I have travelled the continents and crossed the oceans of Gregorian chant in search of a composition and interpretation as sublime as this. The text and the melody are interwoven in a game of mirrors with the interpreters, the singer and the instrumentalist, so as to confer delicacy on the jubilation. The organ is soft, humble. This is what we hear from the singer. These artists have come together to produce beauty. In 1903, Pope Pius X, by motu proprio, restored Gregorian chant in the Latin Church. In his words: Sacred music must possess, to an eminent degree, the qualities proper to the liturgy, and notably the sanctity and delicacy of form, whence another characteristic spontaneously results, universality. I stress: the holiness and delicacy of forms result in universality, time and place. That is to say, sometimes the beauty of human hands gently caresses the face of the Eternal.”

—Jeff Ostrowski