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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“A Coming Together of My Two Choral Worlds…”

Corrinne May · September 9, 2024

N FRIDAY, the 30th of August, the apostolate I’m part of (TOTUS TUUS APOSTOLATE) helped organize a Votive Mass of the Immaculate Heart of Mary offered Ad Orientem (Facing East) by Father Benedict Mary, OCD. It was a beautiful coming together of my two choral worlds as members of my choir, The Immaculate Heart of Mary (IHM) Choir, joined the Totus Tuus Schola. What was also heartwarming was how the IHM choir had recently concluded our ‘33 Days to Morning Glory’ consecration to Mary, and so—coupled with the MARIAN CONCERT we just did a week back—this evening was another way to give our hearts to Mary, and profess our love for her through the gift of sacred music at a Mass dedicated to her Immaculate Heart.

Programming Ideas • Below is what we sang at Mass that evening. It’s possible readers might get some ‘programming ideas’ from the list of pieces we sang.

Processional Hymn:
“Immaculate Mary, Thy Praises We Sing”
(#776 in the Brébeuf Hymnal)

Introit:
Adeamus Cum Fiducia (PLAINSONG)

Kyrie:
Mass VIII • Missa De Angelis

Gradual:
Exsultabit cor meum (PLAINSONG)

Offertory Antiphon:
Exsultavit spiritus meus (PLAINSONG)

Offertory Hymn:
“Totus Tuus” by Marco Frisina

Sanctus:
Mass VIII • Missa De Angelis

Agnus Dei:
After Fr. Gregerio Allegri (d. 1652)
By J. Ostrowski, score is #7554

Communion Antiphon:
Dixit Jesus matri suae (PLAINSONG)

First Communion Hymn:
“Let All Mortal Flesh Keep Silence”
(#728 in the Brébeuf Hymnal)

Second Communion Hymn:
“Anima Christi” by Marco Frisina

Recessional:
Not Applicable as we went straight into Eucharistic Adoration.

For ADORATION immediately
after Mass, we sang the
following polyphonic works.

Kevin Allen:
“Ave Sacer Christi Sanguis” from
Motecta Trium Vocum (Motets For Three Voices)

Father Francisco Guerrero:
“Adoremus In Aeternum” #2978
(This piece is a perfect canon)

Giovanni Pierluigi da Palestrina:
“O Bone Jesu”

Giovanni Pierluigi da Palestrina:
“Jesu Rex Admirabilis”

Charlotte Lansberg:
“Adoro Te Devote”

Audio Excerpt • You can hear an excerpt if you click on the following video. I apologize it’s ‘portrait’ instead of ‘landscape’—but that’s just how Instagram does things:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem Last Updated: September 9, 2024

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“Gloria, Credo, etc., may not be broken into detached fragments; it is wrong to omit or hurry over the Proper of the day; it is not permitted to substitute organ playing for the Proper; it is wrong to use, however briefly, themes from theatrical or dance music, from popular songs, love-songs, comic songs; drums, cymbals, piano, bag-pipes are too noisy for Church use .”

— Pope Leo XIII (25 September 1884))

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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