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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“A Coming Together of My Two Choral Worlds…”

Corrinne May · September 9, 2024

N FRIDAY, the 30th of August, the apostolate I’m part of (TOTUS TUUS APOSTOLATE) helped organize a Votive Mass of the Immaculate Heart of Mary offered Ad Orientem (Facing East) by Father Benedict Mary, OCD. It was a beautiful coming together of my two choral worlds as members of my choir, The Immaculate Heart of Mary (IHM) Choir, joined the Totus Tuus Schola. What was also heartwarming was how the IHM choir had recently concluded our ‘33 Days to Morning Glory’ consecration to Mary, and so—coupled with the MARIAN CONCERT we just did a week back—this evening was another way to give our hearts to Mary, and profess our love for her through the gift of sacred music at a Mass dedicated to her Immaculate Heart.

Programming Ideas • Below is what we sang at Mass that evening. It’s possible readers might get some ‘programming ideas’ from the list of pieces we sang.

Processional Hymn:
“Immaculate Mary, Thy Praises We Sing”
(#776 in the Brébeuf Hymnal)

Introit:
Adeamus Cum Fiducia (PLAINSONG)

Kyrie:
Mass VIII • Missa De Angelis

Gradual:
Exsultabit cor meum (PLAINSONG)

Offertory Antiphon:
Exsultavit spiritus meus (PLAINSONG)

Offertory Hymn:
“Totus Tuus” by Marco Frisina

Sanctus:
Mass VIII • Missa De Angelis

Agnus Dei:
After Fr. Gregerio Allegri (d. 1652)
By J. Ostrowski, score is #7554

Communion Antiphon:
Dixit Jesus matri suae (PLAINSONG)

First Communion Hymn:
“Let All Mortal Flesh Keep Silence”
(#728 in the Brébeuf Hymnal)

Second Communion Hymn:
“Anima Christi” by Marco Frisina

Recessional:
Not Applicable as we went straight into Eucharistic Adoration.

For ADORATION immediately
after Mass, we sang the
following polyphonic works.

Kevin Allen:
“Ave Sacer Christi Sanguis” from
Motecta Trium Vocum (Motets For Three Voices)

Father Francisco Guerrero:
“Adoremus In Aeternum” #2978
(This piece is a perfect canon)

Giovanni Pierluigi da Palestrina:
“O Bone Jesu”

Giovanni Pierluigi da Palestrina:
“Jesu Rex Admirabilis”

Charlotte Lansberg:
“Adoro Te Devote”

Audio Excerpt • You can hear an excerpt if you click on the following video. I apologize it’s ‘portrait’ instead of ‘landscape’—but that’s just how Instagram does things:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem Last Updated: September 9, 2024

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About Corrinne May

Corrinne May is one of Singapore’s most celebrated singer-songwriters. She is also a wife and homeschooling mother.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The liturgical reform bears absolutely no relation to what is called “desacralization” and in no way intends to lend support to the phenomenon of “secularizing the world.” Accordingly the rites must retain their dignity, spirit of reverence, and sacred character.

— Sacred Congregation for Divine Worship (5 September 1970)

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