Hidden Gem: Adoro Te Devote (Carlotta Ferrari)
Find out why this motet is simple enough for beginning choirs yet demanding enough to challenge seasoned singers.
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Five Tips for Saving Your Body During Christmas Liturgies
These easy techniques will help you eliminate tension so you can be at your best.
Hidden Gem: Dormi Jesu (Luc Jakobs)
This striking Christmas motet puts Latin text atop jazzy harmonies to lull Our Infant Lord to sleep.
The Decaffeinated Choir Director: Yes, It’s Possible
Reflections on one year with no caffeine. Find out what to expect if you try it.
Need Easy Organ Pieces? Try This Little-Known Composer
Add these fuguettes and trios to your repertoire with minimal practice time.
On Mistakes (Part II of II)
How we all respond to mistakes can have a huge effect on the cohesiveness and sound of our choirs.
On Mistakes (Part I of II)
We choir directors can’t eliminate mistakes entirely. But here’s what we can do to minimize them.
Hidden Gem: Salve Regina (Barkoskie)
Salve Regina is still in season for another three months. You have plenty of time to learn this simple yet satisfying piece.
7 Keys to Success with Graduale Renovatum
Here’s how to get the most out of this fantastic new resource for interpreting chant rhythm.
Organ Improvisation: To Record, or Not to Record?
If you missed it, you can hear my iPhone recording on YouTube. But will it be quite the same?
Hidden Gem: Tantum Ergo II (Kwasniewski)
If you enjoy juicy dissonances and hearing the sun dart in and out of the clouds, you’ll love this modern setting of an ancient text.
Charles Tournemire: An Organist’s Best Friend
Tournemire’s L’Orgue Mystique is an indispensable resource—especially for organists who are feeling “stuck” in their improvisation.
On Musicianship: A Thought Experiment for Choir Directors
Teaching sight-singing is important, but let’s not forget that it’s a means to an end.
“Are You God?” On the Impact We Have as Church Musicians
How a small child’s innocent question underscored the significance of what we do as church musicians.
Hidden Gem: In Te, Domine, Speravi (Hassler)
This simple canon makes a great “anytime” Offertory motet for developing choirs and experienced ensembles alike.