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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)

Julie Huebner · June 9, 2025

AM NEARING THE END of my first year as a full-time Director of Music and Liturgy. Saying ‘I learned a lot’ would be my understatement of the year. Thankfully, I was surrounded by a pastor, colleagues, cantors, and choristers who were on board, wanted me to succeed, and made a lot happen so that I can share things with our readership. Something I had to learn quickly in this role conducting four choirs—and still need to improve on—is planning out choral repertoire. I want the beautiful music to come together (and come together credibly), without overwhelming my volunteer choristers. The piece below is one of more simple-but-lovely pieces my advanced women’s choir, SCHOLA IMMACULATA, sang following the Easter Vigil OFFERTORY ANTIPHON. This Schola does not meet weekly. The women meet in anticipation of their select solemnities.1

Schola Immaculata • The deal is, that they have to attend fewer (but longer) rehearsals. They also must come to rehearsal already knowing their part, so we can jump right to the music-making. This SCHOLA had just come off of singing demanding Holy Thursday repertoire, fully a cappella following the GLORIA. When I was choosing the Vigil music, I knew I wanted more organ involved, after its multi-day silence and I knew they were singing a difficult Communion piece. I wanted the piece during Offertory to feel like a deep breath. While hunting, I stumbled on Carlotta Ferrari’s Altissimo Glorioso Dio and it ticked all the boxes. I believe anyone reading this would find this a fitting text during the Vigil. Here’s a live recording from the culmination of the Triduum:

*  PDF Download • “Text by St Francis of Assisi” (Carlotta Ferrari)
—Italian: ‘Altissimo glorioso Dio, illumina le tenebre de lo core mio.’
—English: ‘O most high, glorious God, enlighten the darkness of my heart.’

Here’s the direct URL link.

iPhone Cannot Capture • I know it’s easy to say this, but this recording does not do the music justice. Apologies to my wonderful colleague and organist, Michel Shestak, on that front! My iPhone did not quite capture her low organ pedal tones at the end of the piece and how they felt like the tomb of our Lord opening up, while her right hand sounded like the music was being lifted to heaven during the incensing. Many of us strive for the music during Mass to feel separate from the outside world as we lift our eyes and minds to God and I humbly believe this music on that most holy night accomplished that goal.

Addendum • I didn’t feel the need to provide background on Carlotta Ferrari when Mr. Smith has already done this.

1 Namely: all the Marian holy days of obligation, Holy Thursday, and the Easter Vigil.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Carlotta Ferrari Last Updated: June 9, 2025

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About Julie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading into the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Archbishop Dwyer of Portland (26-Oct-1973)

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