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Views from the Choir Loft

“CCW Subscriptions” • (Update — 31 May 2026)

Jeff Ostrowski · May 31, 2026

Paying the $4.95 monthly fee
gives each subscriber full access
to every part of our website.

HAVE BEEN PRAYING in front of the BLESSED SACRAMENT in thanksgiving because our transition to ‘subscription’ access has gone swimmingly. The unknown has always unnerved me, so the coming change had me totally on edge, frazzled over how it might all shake out. For twenty years, we gave everything for free—but owing to a recent decision by the board of directors, a tiny monthly charge is now required for users of our website. A few international transactions have been blocked (because banks are wary of such transactions), and I’ve reached out to those people, doing whatever I can to help.1

Please Take Note! • One problem has been experienced by multiple users. They receive an email from WORDPRESS, but it ends up in their SPAM folder by mistake. On the telephone, I remind them that the SPAM folder is different from their ‘junk’ folder. When they finally look in their SPAM folder— which isn’t the same as their trash folder—everything works perfectly.2

Donors vs. Subscribers • We still need donations, and generous folks have magnanimously continued to donate in addition to subscribing. On the other hand, several donors canceled their recurring donations in favor of a subscription—and this is only natural. We cherish any support you’re able to give us: large or small.

Good Comments • Broadly speaking, the comments received during this transitional period have been warm and encouraging. I share one (below) but to understand it, you must realize that axios is a Greek word meaning “you are worthy.” Here’s the message we received, from an American choir director:

Dear Corpus Christi Watershed:

I wanted to express my (enthused) support at your decision to switch to a subscription model. You have generously offered free material at your own expense of time and energy, and it has graciously gifted the Body of Christ in the field of sacred music. But as our Lord has said, “the laborer deserves his wages.” You are COMPLETELY justified in requesting/requiring payment for what you offer. And yet, you are still keeping it cheap.

As an expression of gratitude for your previous generosity (and desire to support your apostolate, via the subscription itself and via donation) I have opted to technically relinquish double what you require for your resources! I say this not to give myself accolades—after all, $9.90 is still not a lot of money—but so that you know the donation of the same amount was not a mistake on my end. God bless you, as “you are worthy.” AXIOS!

Here’s another example of the type of messages we receive:

Your blog is a treasure—thousands of articles, each holding some small delight. I am forever turning up little nuggets of joy. I come for the pleasure and leave the wiser for it. Subscribing feels less like payment than thanks: a modest sum for the generous wealth of PDF files and rehearsal videos you share. Just the other day, my priest was asking why the music came from the GRADUALE ROMANUM instead of the priest’s big red SACRAMENTARY. I totally stole your explanation! I told him that just as the readings come from a different book (“Lectionary”), so too the music comes from a different book (“Roman Gradual”). He instantly understood; it was magnificent. Please keep up the great work!

Opposition • Since launching our subscription program, several members of our team have received screenshots showing ugly accusations against CORPUS CHRISTI WATERSHED—defamation both shameful and baseless. I forwarded one to a friend who teaches Renaissance polyphony at an Ivy League university. His reply: “That proves you’re doing excellent work.” We’ve also received a few venomous emails from fakers (who believe we don’t know their true identity). Some letters were difficult to decipher.3 As followers of Christ, we are called—in Matthew 5:44—to imitate our Savior, who forgave the very men nailing Him to the Cross. Indeed, we pledge to do this whenever we pray the PATER NOSTER. Nevertheless, unpleasant missives sharpen our gratitude for messages from readers who value our efforts. So please keep sending those words of encouragement: they mean more than you’ll ever know!

1 Whenever a transaction gets blocked, it becomes a source of frustration. I reach out via text message, email, zoom, facebook, or telephone. I’m very sorry whenever subscribers experience inconvenience—on the other hand, it’s been pretty cool to speak on the telephone to people as far away as Japan, South America, and New Zealand.
2 Years ago, I was responsible for arranging a lunch between a cardinal and the head of the PONTIFICAL INSTITUTE OF SACRED MUSIC in Rome. There was a confusing mixup, which caused me great anxiety. Specifically, the cardinal’s emails were ending up in my SPAM folder. In all the years prior, his emails had never once ended up in my SPAM folder. (Nor did they ever get sent there afterwards.) Who among us can untangle the dark arithmetic of computers?
3 One said he’d be fine with all the resources being “obliterated” (destroyed) but having users of the website subsidize it—in his mind—was unacceptable. As I mentioned in this article, it was our pleasure for 20 years to give away everything for free. However, the board of directors decided it was unfair that only a handful of faithful and generous donors were bearing the burden of financial support. For that reason, we were forced to reach out to the community for support.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, How To Contact Corpus Christi Watershed, Reader Feedback Corpus Christi Watershed Last Updated: June 1, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    A Popular “Gloria” … in Dutch?
    Close to 16 years ago, I composed a “Glory to God in the Highest” in honor of SAINT RALPH SHERWIN. It was subsequently sung all over the world, and included in various collections (under different titles). You can download the musical score in plainsong notation. It was selected for inclusion in the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary—and here’s its keyboard accompaniment (PDF file). I have a terrible memory, but somebody reminded me it was translated into Dutch (!) in 2012. I have no idea who did this—but you can download the score by clicking here. Because I don’t speak Dutch, I have no idea whether the adaptation was done skillfully.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

Recent Posts

  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”
  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”
  • Music List • (26th Sund. Ordinary Time)

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