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Views from the Choir Loft

“CCW Subscriptions” • (Update — 31 May 2026)

Jeff Ostrowski · May 31, 2026

Paying the $4.95 monthly fee
gives each subscriber full access
to every part of our website.

HAVE BEEN PRAYING in front of the BLESSED SACRAMENT in thanksgiving because our transition to ‘subscription’ access has gone swimmingly. The unknown has always unnerved me, so the coming change had me totally on edge, frazzled over how it might all shake out. For twenty years, we gave everything for free—but owing to a recent decision by the board of directors, a tiny monthly charge is now required for users of our website. A few international transactions have been blocked (because banks are wary of such transactions), and I’ve reached out to those people, doing whatever I can to help.1

Please Take Note! • One problem has been experienced by multiple users. They receive an email from WORDPRESS, but it ends up in their SPAM folder by mistake. On the telephone, I remind them that the SPAM folder is different from their ‘junk’ folder. When they finally look in their SPAM folder— which isn’t the same as their trash folder—everything works perfectly.2

Donors vs. Subscribers • We still need donations, and generous folks have magnanimously continued to donate in addition to subscribing. On the other hand, several donors canceled their recurring donations in favor of a subscription—and this is only natural. We cherish any support you’re able to give us: large or small.

Good Comments • Broadly speaking, the comments received during this transitional period have been warm and encouraging. I share one (below) but to understand it, you must realize that axios is a Greek word meaning “you are worthy.” Here’s the message we received, from an American choir director:

Dear Corpus Christi Watershed:

I wanted to express my (enthused) support at your decision to switch to a subscription model. You have generously offered free material at your own expense of time and energy, and it has graciously gifted the Body of Christ in the field of sacred music. But as our Lord has said, “the laborer deserves his wages.” You are COMPLETELY justified in requesting/requiring payment for what you offer. And yet, you are still keeping it cheap.

As an expression of gratitude for your previous generosity (and desire to support your apostolate, via the subscription itself and via donation) I have opted to technically relinquish double what you require for your resources! I say this not to give myself accolades—after all, $9.90 is still not a lot of money—but so that you know the donation of the same amount was not a mistake on my end. God bless you, as “you are worthy.” AXIOS!

Here’s another example of the type of messages we receive:

Your blog is a treasure—thousands of articles, each holding some small delight. I am forever turning up little nuggets of joy. I come for the pleasure and leave the wiser for it. Subscribing feels less like payment than thanks: a modest sum for the generous wealth of PDF files and rehearsal videos you share. Just the other day, my priest was asking why the music came from the GRADUALE ROMANUM instead of the priest’s big red SACRAMENTARY. I totally stole your explanation! I told him that just as the readings come from a different book (“Lectionary”), so too the music comes from a different book (“Roman Gradual”). He instantly understood; it was magnificent. Please keep up the great work!

Opposition • Since launching our subscription program, several members of our team have received screenshots showing ugly accusations against CORPUS CHRISTI WATERSHED—defamation both shameful and baseless. I forwarded one to a friend who teaches Renaissance polyphony at an Ivy League university. His reply: “That proves you’re doing excellent work.” We’ve also received a few venomous emails from fakers (who believe we don’t know their true identity). Some letters were difficult to decipher.3 As followers of Christ, we are called—in Matthew 5:44—to imitate our Savior, who forgave the very men nailing Him to the Cross. Indeed, we pledge to do this whenever we pray the PATER NOSTER. Nevertheless, unpleasant missives sharpen our gratitude for messages from readers who value our efforts. So please keep sending those words of encouragement: they mean more than you’ll ever know!

1 Whenever a transaction gets blocked, it becomes a source of frustration. I reach out via text message, email, zoom, facebook, or telephone. I’m very sorry whenever subscribers experience inconvenience—on the other hand, it’s been pretty cool to speak on the telephone to people as far away as Japan, South America, and New Zealand.
2 Years ago, I was responsible for arranging a lunch between a cardinal and the head of the PONTIFICAL INSTITUTE OF SACRED MUSIC in Rome. There was a confusing mixup, which caused me great anxiety. Specifically, the cardinal’s emails were ending up in my SPAM folder. In all the years prior, his emails had never once ended up in my SPAM folder. (Nor did they ever get sent there afterwards.) Who among us can untangle the dark arithmetic of computers?
3 One said he’d be fine with all the resources being “obliterated” (destroyed) but having users of the website subsidize it—in his mind—was unacceptable. As I mentioned in this article, it was our pleasure for 20 years to give away everything for free. However, the board of directors decided it was unfair that only a handful of faithful and generous donors were bearing the burden of financial support. For that reason, we were forced to reach out to the community for support.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, How To Contact Corpus Christi Watershed, Reader Feedback Corpus Christi Watershed Last Updated: June 1, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Oldest Latin Eucharistic Hymnal
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski
    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

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  • “Receipts + Invoices” • (CCW Subscribers)

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