Re: Ancient Sequence (Thursday after Pentecost)
A priest saw her article and provided—for the first time in history—a literal English translation!
“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.—Read full biography (with photographs).
A priest saw her article and provided—for the first time in history—a literal English translation!
During the season of Pentecost, you might consider using this 2-page Piece “for the season of Pentecost.” Rehearsal videos are available at #40691, but the lyrics are different. Therefore, make sure your choir members understand that one can rehearse songs that have different lyrics (“CONTRAFACT”).
With a digression on Corrinne May’s upcoming presentation.
“Gentlemen: Nobody is going to follow the archaic and quack ideas on Chant you are trying to propagate.” Mr. John Sandar
Did Dom Mocquereau compose any official plainsong pieces included in the official edition? He did!
Our volunteer choir appreciates training videos, so here’s my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
My colleague, Patrick Williams, has given me permission to share with our audience a recording his choir made.
Letters like this prove there are still awesome people in this world!
There was no explanation given for why “Darrin Stephens” was suddenly a completely different person.
I don’t think our readers are interested in what we say about Gregorian rhythm—they’re interested only in what we can demonstrate.
My volunteer choir attempted the polyphonic KYRIE that will be sung at this year’s Sacred Music Symposium. If you’re interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of […]
“The organ is so universally used as an accompanying instrument today that there is a pressing need to provide a written accompaniment…” —César Franck
From a reader in New Hampshire: “I just love your articles and resources! You provide an excellent resource!”
Including an “added bonus” I discovered while researching Julius Bas (an Italian musicologist and organist).
If we truly believe what we say we believe, how can we allow goofy, off-Broadway, secular, casual music at Mass?
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