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Views from the Choir Loft

Mark Haas • Article Archive

Mark Haas is a composer and speaker whose liturgical music has been sung in over 600 parishes and 10 countries. He lives in Florida with his wife and seven children.—Read full biography (with photographs).

Mark Haas · July 8, 2026

PDF Downloads • “16 Gorgeous SAB Motets”

The following collection offers a variety of Latin and English motets

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Mark Haas · May 22, 2026

“A Noble Sound” • Calling Men Back to Sacred Music

“When men are invited into something noble, challenging, and authentically sacred, they will rise to meet it.”

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Mark Haas · May 12, 2026

Inspiring Paper from a Graduating High School Senior

Such fantastic scholarship from a young contributor provides hope to our Church.

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Mark Haas · April 17, 2026

2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark

This choir pilgrimage is more than a trip—it is a sacred journey.

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Mark Haas · March 25, 2026

From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass

“She could very well be the beauty, but my heavens, what does the groom look like?!”

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Mark Haas · March 10, 2026

Music is the “Humble Handmaid” of the Mass

“Upon hearing this, my kids immediately glanced at me with horrified looks on their faces.”

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Mark Haas · February 23, 2026

My Response Surprised A Parishioner ‘Upset’ About Latin

We must resist the temptation to justify Latin—or any liturgical practice—based on personal taste.

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Mark Haas · February 9, 2026

Solfege Volleyball: A Children’s Choir Game

“The children loved it instantly. The game required focus, teamwork, and listening.”

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Mark Haas · January 23, 2026

“We don’t do that anymore.”

Don’t shoot the messenger!

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Mark Haas · January 7, 2026

A Simple Way to Utilize Handbells

The method itself is wonderfully simple.

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Mark Haas · December 26, 2025

Bing Crosby, Christmas, and Catholicism

He served as an unwitting catechist, introducing a young listener to the language and music of Catholicism.

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Mark Haas · December 13, 2025

The “Word of the Father” Chord: Theology and Harmony Meet at Christmas

It is fitting that the most exquisite chord in Adeste Fideles coincides with the most profound line of theology.

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Mark Haas · December 3, 2025

PDF Downloads • 5 Simple Palestrina Pieces

A collection of Palestrina works that are not only stunningly beautiful but also surprisingly accessible.

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Mark Haas · November 20, 2025

Kid’s Repertoire • 3 Recommendations (Mark Haas)

“My children’s choir absolutely loves this piece.”

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Mark Haas · November 10, 2025

What surprised me about regularly singing the Gloria in Latin

“A chorus of groans erupted: ‘Mr. Haaaaaasssss, whyyyy?’”

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Corpus Christi Watershed

President’s Corner

    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski
    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

Recent Posts

  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)
  • “Predictable Rhymes?” • A Follow Up
  • Absolutely ‘Perfect’ Voice-Leading?
  • “The Choirmaster Survey” • Update on 29 July 2026

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CONTACT • Corpus Christi Watershed

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Corpus Christi Watershed
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