• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

When Pilgrims Sing, the World Disappears

Mark Haas · November 4, 2025

ATIN GREGORIAN CHANT is universal. It is Catholic. And I can prove it.

Take a listen to the recording below. It is a recent viral social media post of a group of pilgrims singing Credo IV.

*  Mp3 Download • Live Rec. (“Credo IV by mystery choir”)
——“Credo IV”  • Mystery choir.

Now listen closely—what country are they from? What part of the world? What accent do they have? What is their nationality? Can you tell?

In this particular recording, the singers were a group of US seminarians from Virginia on pilgrimage to Rome. Yet, when they chant in Latin, they ceased to sound American. They didn’t sound Italian, French, or African either. They sounded Catholic—universalis, belonging to no one people but to everyone at once. This is the power of the Church’s ancient language: it transcends the divisions of culture and geography and allows the faithful to sing with one heart and one voice.

Clarity • Latin is often called a “dead language,” but in the life of the Church, that is its greatest strength. Because Latin no longer evolves like modern tongues, it remains fixed—unchanged, clear, and precise. Living languages shift constantly; words pick up new meanings, phrases become outdated, and connotations change. “Don we now our gay apparel,” means something entirely different to modern ears than it did just a few generations ago. The unchanging nature of Latin preserves the clarity of doctrine and worship, ensuring that the Church’s prayers mean today what they meant a thousand years ago.

Unity • Many parishes today celebrate Mass in several languages—English, Spanish, Vietnamese, and more. This reflects the beauty of cultural diversity, but it can also lead to division. A parish may unintentionally become three or four communities sharing one building but not one heart.

The great unifier–as the Second Vatican Council envisioned–is the use of Latin for the common parts of the Mass. Sacrosanctum Concilium, the Constitution on the Sacred Liturgy, states that “the use of the Latin language is to be preserved in the Latin rites” (§36) and that “steps should be taken so that the faithful may be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them” (§54).

Borders disappear • Those pilgrims from Virginia are from the United States. Many of them are likely American football fans who enjoy barbecues and hot dogs. If you spoke with them on the street, they would have American accents. But when they chanted together in Rome, they were not from any country. Their accents disappeared. Their culture blended into the harmony of the Church.
They were no longer citizens. They were Catholic. They were universal. And that, in the truest sense, is what it means to be part of the Church that sings with one timeless, heavenly voice.

You can see the original video post here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 4, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The chapter orders that only grandees (and their immediate relatives), counts, marquises, and provincial governors may in future enter the choir enclosure during divine service: such a restriction being imposed so that quiet can be the better maintained during cathedral solemnities.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (25 May 1558)

Recent Posts

  • Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark
  • Job Opening • $65,000 per year +
  • “Reminder” — Month of November (2025)
  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.