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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Kid’s Repertoire • 3 Recommendations (Mark Haas)

Mark Haas · November 20, 2025

T IS AN HONOR to offer my own recommendation for Children’s Choir pieces that I have found to be quite helpful to me over the years. I add mine to recommendations by my esteemed colleagues: Andrea Leal; Chris Mueller; Keven Smith; and Dr. Calabrese. As a children’s choir director, one of my greatest joys is watching young singers grow in confidence, musicality, and prayerfulness. Choosing the right repertoire is essential: the music must be approachable, yet rich enough to serve as a gateway into deeper musical concepts. With that in mind, I am delighted to share my top three selections for developing children’s voices—pieces that have proven both musically formative and spiritually meaningful. Perhaps they will serve your children’s choirs as well.

(1)

Jesu! Rex Admirabilis – Giovanni Pierluigi da Palestrina

*  Mp3 Download • Live Children’s Choir Rec. (‘Jesu! Rex Admirabilis’)
—“Jesu! Rex Admirabilis”  • Ave Maria Parish Children’s Choir • Mark Haas, director.

*  PDF Download • Musical Score
—Courtesy of Rick Wheeler.

Among Palestrina’s vast catalog of sacred works, Jesu! Rex Admirabilis remains one of his most beloved motets. It is often used as a model when teaching Renaissance counterpoint because of its exemplary voice-leading and balanced textures. What makes this motet so useful for young choirs is its serene, floating lines and gentle imitation—hallmarks of Palestrina’s style that make the piece surprisingly accessible. I have found that even beginning music readers can grasp the basic concept of imitative polyphony through this work. Children delight in hearing a melodic idea appear in another voice, as though they’re uncovering a musical secret. It opens the door to understanding more complex polyphonic repertoire later on.

You are welcome to these practice tracks: Soprano | Alto | Baritone

(2)

Jubilate Deo – Maureen Briare

*  Mp3 Download • Live Children’s Choir Rec. (‘Jubilate Deo’)
—“Jubilate Deo”  • Ave Maria Parish Children’s Choir • Mark Haas, director

Moving from Renaissance polyphony to contemporary liturgical music, Maureen Briare’s Jubilate Deo is a simple two-part round perfect for any joyous occasion. It also includes an optional trumpet line that adds a festive, processional character. My children’s choir absolutely loves this piece—in fact, for several of them, it remains their favorite all year long. The round structure helps young singers gain confidence quickly, and because the repetition is built into the form, it requires minimal rehearsal time while still producing a beautiful, energetic sound. Briare’s writing is joyful, bright, and eminently singable, making it a reliable go-to for Sundays in Easter, First Communions, and other celebrations. Sheet music can be acquired here.

(3)

Anima Christi – Marco Frisina

*  Mp3 Download • Live Children’s Choir Rec. (‘Anima Christi’)
—“Anima Christi” • Ave Maria Parish Children’s Choir • Mark Haas, director

A modern classic by Italian priest-composer Marco Frisina, Anima Christi sets the ancient Eucharistic prayer in a deeply expressive and prayerful way. The text petitions Christ for sanctification, protection, healing, and ultimately union with Him— themes that resonate profoundly even with young singers. Musically, I have found this piece invaluable for introducing children to reading alto harmony, thanks to its clear yet expressive voice leading. Its flowing lines also provide an excellent opportunity to refine Latin pronunciation in a pastoral and approachable context. Frisina’s writing feels both contemporary and timeless, making it a beautiful addition to any liturgical celebration.

You are welcome to these practice tracks: Soprano | Alto | Tenor | Bass

(H)

(Honorable Mention) Dear Lady of Fatima – Gladys Gollahon

*  Mp3 Download • Live Children’s Choir Rec. (‘Dear Lady of Fatima’)
—“Dear Lady of Fatima”  • Ave Maria Parish Children’s Choir • Mark Haas, director

*  PDF Download • Dear Lady of Fatima by Gladys Gollahon

There is something uniquely endearing about children singing a hymn to Our Lady—especially on the Feast of Our Lady of Fatima. Perhaps this is because the Fatima apparitions themselves involved children, and the Blessed Mother so often chooses to reveal herself to young children. I recently discovered this mid-20th-century gem and created a simple two-part arrangement for children’s choir. Our parishioners were visibly moved—many moved to tears—as the children sang this love song to the Blessed Mother. Its tenderness, simplicity, and devotional character make it a lovely optional piece for Marian feasts.

May your own Children’s Choir be blest with joyful music. Perhaps some of these selections can be additions to your own musical collections this year.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Children Repertoire Recommendations Last Updated: November 20, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

A priest celebrating the Mass “ad orientem” is no more turning his back on the people than a teacher leading her students in the “Pledge of Allegiance” is slighting them by turning her back on them and facing the flag with them.

— Archbishop Salvatore Cordileone (6 April 2025)

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