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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

2026 Sacred Music Pilgrimage to Washington, D.C. with Richard Clark

Mark Haas · April 17, 2026

S THE UNITED STATES approaches its 250th anniversary, Catholic Choir Tours is inviting choirs across the country to take part in a remarkable pilgrimage to the nation’s capital—an experience that unites sacred music, Catholic faith, and American history in a profound and memorable way. The Washington, D.C. Choir Pilgrimage offers singers the opportunity not only to perform in some of the most significant sacred spaces in the country, but also to grow spiritually while encountering the rich cultural heritage of the United States.

The Maestro

At the heart of this journey is the guidance of our very own, Richard J. Clark, a distinguished composer, conductor, and organist whose work in sacred music has earned international recognition. As Director of Music for the Archdiocese of Boston and the Cathedral of the Holy Cross, Clark brings decades of experience in leading liturgies of great beauty and reverence. His leadership ensures that each participating choir is both challenged musically and uplifted spiritually, making this pilgrimage a truly transformative experience.

Events and opportunities

The pilgrimage begins with an arrival in Washington, D.C. and an afternoon walking tour of the National Mall. Here, pilgrims encounter some of the most iconic symbols of American history, including the Lincoln Memorial and the Washington Monument. This introduction sets the tone for a journey that seamlessly weaves together national identity and spiritual reflection.

On the second day, participants explore the inner workings of American governance with a guided tour of the United States Capitol, followed by an afternoon visit to the Bible Museum. These experiences provide both historical insight and a deeper appreciation for the role of faith in shaping culture and society.

The pilgrimage takes a more contemplative turn on the third day with a visit to the Saint John Paul II National Shrine. Here, choirs have time for prayer and reflection while learning about the life and legacy of one of the Church’s most influential modern saints. Later, singers gather for rehearsal under Clark’s direction, preparing musically and spiritually for the liturgies ahead.

Day four offers a highlight for many participants: singing for Mass at the Franciscan Monastery of the Holy Land in America. Directed by Clark, this liturgy allows choirs to offer their gifts in a setting rich with sacred symbolism, followed by a guided tour of the monastery’s renowned replicas of Holy Land sites. The day concludes with a special performance, further showcasing the musical talents of the group.

The final day brings pilgrims to the Basilica of the National Shrine of the Immaculate Conception, the largest Catholic church in North America. After attending Mass and touring this magnificent basilica, participants visit the United States Holocaust Memorial Museum, a solemn and powerful experience that invites reflection on human dignity and history.

This choir pilgrimage is more than a trip—it is a sacred journey. By combining exceptional musical leadership, meaningful liturgical participation, and encounters with the nation’s history, it offers choirs a unique way to celebrate America’s 250th anniversary while deepening their faith and artistry.

For more information, contact Mark Haas: mark@catholicchoirtours.com

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 17, 2026

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (13 December 1564)

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  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)
  • Request From Australia
  • PDF Download • “Anima Christi”

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