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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Dr. Charles Weaver • Article Archive

Dr. Charles Weaver is on the faculty of the Juilliard School, and serves as organist and director of music at St. Mary’s Church in Norwalk, Connecticut. His research interests include the history of music theory and the theory of plainchant rhythm. He lives in Connecticut with his wife and four children.—Read full biography (with photographs).

Dr. Charles Weaver · March 5, 2025

Solmization from the Inside, Part 3

Making the case for the (very) old method of solfège, or, what is so sharp about sharp notes?

Dr. Charles Weaver · January 23, 2025

My Recent Conversation • “Chant Rhythm”

This past week, I appeared on the Nikhil Hogan show to talk about Gregorian rhythm and the Vatican edition.

Dr. Charles Weaver · December 29, 2024

God’s in His Holy Place, but in which Mode?

Ideas have consequences.

Dr. Charles Weaver · December 13, 2024

Church Keys Old and New

Musical scholars are divided on whether the modes are a useful way to think about music, but I’m convinced they are. In the seventeenth century, musicians created a fruitful and lasting link between the eight modes and eight particular keys called the church keys.

Dr. Charles Weaver · October 2, 2024

Glancing at Eurydice: Why Read Medieval Theory?

Sometimes the ancients just perfectly capture the essence of some experience that we all share.

Dr. Charles Weaver · September 25, 2024

A Talk on the Importance of Chant

Back in January I gave a talk at Sacred Heart Parish in Grand Rapids, Michigan. They have a fantastic lecture series, and this was also in connection with their admirable project on the fifth centennial of Palestrina’s birth. The talk is now available on Spotify, and I hope it will be of some interest to […]

Dr. Charles Weaver · July 4, 2024

PDF Download • How to Sing Gregorian Chant Like Dom Pothier

Dom Lucien David gives a practical lesson in applying the method of Dom Pothier to a chant from the Kyriale.

Dr. Charles Weaver · May 4, 2024

A Couple of Recent Podcast Appearances

I’ve participated in some recent conversations about chant that might be of interest to our readers.

Dr. Charles Weaver · March 16, 2024

Response to Jeff: Rhythmic Signs Again

I propose that we consider Dom Pothier’s method without making an unnecessary appeal to authority.

Dr. Charles Weaver · February 5, 2024

What is the Place of the Horizontal Episema in Dom Mocquereau’s Theory?

It really is a minor part of Mocquereau’s theoretical enterprise. That doesn’t mean it’s completely pointless, though.

Dr. Charles Weaver · December 8, 2023

An Important Anniversary

Dom Pothier died 100 years ago today.

Dr. Charles Weaver · November 25, 2023

Accent and Gregorian Melody

The idea of the tonic accent in Gregorian melody runs through the entire Solesmes tradition from Gontier to Pothier to Mocquereau to the present.

Dr. Charles Weaver · November 22, 2023

Bearing Witness

We Church musicians have a high calling to bear witness to the truth with our music and our lives.

Dr. Charles Weaver · November 12, 2023

A Classic Example of Modal Modulation

We can think of the modes and their traditional characters in a dynamic way, and it can help us to have a little more shape and direction in our singing.

Dr. Charles Weaver · November 9, 2023

Report • “Musical Shape of the Liturgy Conference”

This week I attended part of an excellent academic conference in honor of William Mahrt.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

Recent Posts

  • “Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)
  • Chants That Crowds Roar With Burning Hearts
  • “Music List” • 4th Sunday of Easter (Year C)
  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter

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