Views from the Choir Loft

Charles Weaver • Article Archive

Charles Weaver is on the faculty of the Juilliard School, and serves as organist and director of music at St. Mary’s Church in Norwalk, Connecticut. His research interests include the history of music theory and the theory of plainchant rhythm. He lives in Connecticut with his wife and four children.—Read full biography (with photographs).

Charles Weaver · May 25, 2021

A Summer Course in Old Notation

Announcing an opportunity for graduate-level summer study in sacred music.

Charles Weaver · March 7, 2021

Two Recent Talks on the Liturgy

Two of our authors offer thoughts about the meaning of the liturgy within the context of our daily lives.

Charles Weaver · February 24, 2021

Solmization from the Inside

What if we take medieval music pedagogy seriously? Do its methods have anything to offer us today?

Charles Weaver · January 31, 2021

A Lesson in Chant from the Late Fr. Foster

My personal encounter with him left a strong impression, which I will share here.

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Charles Weaver · October 10, 2020

“Arranging Polyphony for One Voice” • (Live Rec.)

When faced with restrictions on the size of the choir, history suggests that we can adapt music for smaller groups, including groups with only one singer.

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Charles Weaver · September 2, 2020

(Installment #4) “Catholic Hymnals” • Charles Weaver

On how tunes change over time, with a reflection on the sacred duty of hymn editors.

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Charles Weaver · August 20, 2020

Biography • Charles Weaver

Charles Weaver is on the faculty of the Juilliard School…

Charles Weaver · August 11, 2020

“Plainchant in Two Parts” • (Guest Article by a Julliard Faculty Member)

Polyphonic settings from a thirteenth-century Italian convent teach us how we might add a second part to a piece of plainchant.

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A Truly Insane Liturgical Practice

In 2013, I began speaking of an insane liturgical practice which was allowed by Pope Pius XII—but nobody realizes this. If you tried to do this at the Traditional Latin Mass, you would most likely be run out of town on a rail. However, for the record, the FULTON SHEEN MISSAL (edited by Father Caraman) specifically mentions this type of participation … and you can see for yourself.

—Jeff Ostrowski

31 August 2021 • Unexpected Facts

Yves Chiron claims that Annibale Bugnini was a professor at PIMS (the Pontifical Institute of Sacred Music in Rome) for ten years, but in 1965 he was forced to resign. If true, this is very odd. Another odd fact: It turns out that Leopold Stokowski, the famous conductor who helped Josef Hofmann found the Curtis Institute, served as an organist and choirmaster in 1905 (at St. Bartholomew’s Episcopal Church in New York City).

—Jeff Ostrowski

27 August 2021 • “DO” a deer?

Giovanni Battista Doni (d. 1647AD) is known for having changed the name of the UT Note—renaming it “Do.” He convinced his contemporaries to make the change by arguing that: (1) “Do” is easier to pronounce than “Ut” is; and (2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. Some claim Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is an abbreviation for his family name.

—Jeff Ostrowski