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Views from the Choir Loft

Articles

Jeff Ostrowski · October 19, 2025

Feast of the Jesuit Martyrs of North America

Their feast got replaced by a Sunday this year.

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Jeff Ostrowski · October 18, 2025

Fulton J. Sheen + this Sunday’s “Entrance Chant”

Gregorian melodies ‘stick’ in one’s memory in a way that’s both marvelous and surprising.

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Keven Smith · October 14, 2025

Children’s Repertoire • Three More Recommendations by Keven Smith

Don’t give up. Your work with young singers today will continue to bear fruit for decades after you die.

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Jeff Ostrowski · October 14, 2025

PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

An example that’s truly great art, yet still within their reach.

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Jeff Ostrowski · October 13, 2025

Important Quote by a Church Musician

My friend is a highly-placed musician at the Vatican.

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Jeff Ostrowski · October 11, 2025

Fulton J. Sheen Played The Pipe Organ!

Sheen would occasionally display his skill on the organ to his friends.

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Dr. Samuel Backman · October 11, 2025

Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”

Most readers would not find themselves in the category of people who are looking to try a “clown Mass” or some other dubious experiment!

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Mark Haas · October 10, 2025

Every Diocesan Music Commission Should Do This

“To assist this process, I have compiled links to the documents…” —Mark Haas

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Dr. Alfred Calabrese · October 9, 2025

Exclusive Interview • “Púeri Cantóres” President

On 9 October 2025, I was pleased to interview the legendary Paul French.

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Dr. Charles Weaver · October 8, 2025

The Real Miracle of Gregorian Chant

It may not have been dictated into a saintly pope’s ear by a dove, but the real story is no less wonderful.

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Daniel Marshall · October 7, 2025

“Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

Ever wonder why the Church is so particular about sacred music? There’s more at stake than you think.

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Jeff Ostrowski · October 7, 2025

“Puzzling Comment” • By A Respected FSSP Priest

Once upon a time, Catholics were supposed to attend Mass within their “parochial boundaries.”

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Jeff Ostrowski · October 4, 2025

Involving Women in the Communion?

Not long ago, I received a weird telephone call from a man appointed “director of music” for a large USA diocese.

Dr. Myrna Keough · October 3, 2025

“Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough

“Their response was ironic, as we continued to sing both an entrance and communion hymn—and neither were in Latin!” —Dr. Keough

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Corpus Christi Watershed · October 2, 2025

“Fulfilled!” • Bride’s Musical Request

Sophia Institute Press has been generous in this regard.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

Recent Posts

  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”

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