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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Practical Method of Projecting Solfege for Chant

Mark Haas · October 28, 2025

HIS YEAR, our 40-voice children’s choir has taken on a bold new goal: to proclaim the Gregorian Propers within the Novus Ordo Mass. Specifically, our young choristers are singing both the Introit and the Communion Antiphon from the Graduale Romanum. We wanted to challenge our kids with the beauty and richness of the Church’s authentic treasury. Of course, such a challenge requires careful preparation. Children are capable of great musical achievement when given the right tools, and I wanted to give them one of the most time-tested tools of all: solfege. The familiar “Do-Re-Mi-Fa-So-La-Ti-Do” system not only trains the ear but also provides a concrete way for students to understand intervals, pitches, and the flow of chant melodies. Our adult choir already benefits from this approach—since their rehearsal room includes a projector screen, I can project the chant, enlarge it, and clearly label the solfege syllables on PowerPoint slides.

The children’s choir, however, for various logistical reasons, practices in the choir loft, and no projector or screen is readily available there. I quickly realized I needed another way to enlarge the chant so that I could add teaching annotations. After a bit of trial and error, I developed a method that has thus far proven effective.

*  Mp3 Download • Live Rec. (“In voluntáte tua, Dómine”)
—“In voluntáte tua, Dómine” (Abr.) • Ave Maria Parish Children’s Choir • Mark Haas, conductor; Michael Olbash, organist

Here’s the step-by-step process:

1. Enlarge the Chant
I begin by opening the chant on my computer and expanding it so that the score can be split across two sheets of 11×17 paper (Ledger size). This makes the neumes large and clear enough for group learning.

2. Remove Excess Text
I crop out the text of the chant, leaving only the square notes. This keeps the children focused entirely on the melody while learning solfege.

3. Assemble the Poster
After printing, I tape the two sheets together. The result is a neat 11×34 poster of Gregorian chant—large enough to be read by all 40 children at once.

4. Add Solfege in Red
Using a red marker, I carefully label the solfege syllables above or below each note. To conserve space and maintain clarity, I use only capital letters. This gives the children a strong visual guide as they sing.

5. Mark Rhythmic Nuances in Green
To highlight rhythmic lengthenings—such as quilismas, episemas, salicuses, etc.—I use a green marker. This color contrast makes it easy for students to spot where they need to give extra emphasis or hold a note slightly longer.

Once complete, I place the poster on two sturdy music stands in the middle of the choir. The children now have a clear, colorful solfege reference as they rehearse new chants. As an additional bit of fun, the kids take turns holding the pointer. As we site-read a new chant, one of the singers uses a pointer to point to each pitch. This keeps them all engaged with reading and singing.

The results have been encouraging. The choristers are not only learning the Propers more quickly but are also internalizing the sound of solfege in relation to Gregorian modes. What began as a practical workaround has become a surprising tool in our program.

If you direct a choir—whether children or adults—this might be a simple method to try. With a little preparation, you may find your singers rising to new heights in their chant singing, proclaiming the liturgy with both beauty and confidence.

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 28, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

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