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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Practical Method of Projecting Solfege for Chant

Mark Haas · October 28, 2025

HIS YEAR, our 40-voice children’s choir has taken on a bold new goal: to proclaim the Gregorian Propers within the Novus Ordo Mass. Specifically, our young choristers are singing both the Introit and the Communion Antiphon from the Graduale Romanum. We wanted to challenge our kids with the beauty and richness of the Church’s authentic treasury. Of course, such a challenge requires careful preparation. Children are capable of great musical achievement when given the right tools, and I wanted to give them one of the most time-tested tools of all: solfege. The familiar “Do-Re-Mi-Fa-So-La-Ti-Do” system not only trains the ear but also provides a concrete way for students to understand intervals, pitches, and the flow of chant melodies. Our adult choir already benefits from this approach—since their rehearsal room includes a projector screen, I can project the chant, enlarge it, and clearly label the solfege syllables on PowerPoint slides.

The children’s choir, however, for various logistical reasons, practices in the choir loft, and no projector or screen is readily available there. I quickly realized I needed another way to enlarge the chant so that I could add teaching annotations. After a bit of trial and error, I developed a method that has thus far proven effective.

*  Mp3 Download • Live Rec. (“In voluntáte tua, Dómine”)
—“In voluntáte tua, Dómine” (Abr.) • Ave Maria Parish Children’s Choir • Mark Haas, conductor; Michael Olbash, organist

Here’s the step-by-step process:

1. Enlarge the Chant
I begin by opening the chant on my computer and expanding it so that the score can be split across two sheets of 11×17 paper (Ledger size). This makes the neumes large and clear enough for group learning.

2. Remove Excess Text
I crop out the text of the chant, leaving only the square notes. This keeps the children focused entirely on the melody while learning solfege.

3. Assemble the Poster
After printing, I tape the two sheets together. The result is a neat 11×34 poster of Gregorian chant—large enough to be read by all 40 children at once.

4. Add Solfege in Red
Using a red marker, I carefully label the solfege syllables above or below each note. To conserve space and maintain clarity, I use only capital letters. This gives the children a strong visual guide as they sing.

5. Mark Rhythmic Nuances in Green
To highlight rhythmic lengthenings—such as quilismas, episemas, salicuses, etc.—I use a green marker. This color contrast makes it easy for students to spot where they need to give extra emphasis or hold a note slightly longer.

Once complete, I place the poster on two sturdy music stands in the middle of the choir. The children now have a clear, colorful solfege reference as they rehearse new chants. As an additional bit of fun, the kids take turns holding the pointer. As we site-read a new chant, one of the singers uses a pointer to point to each pitch. This keeps them all engaged with reading and singing.

The results have been encouraging. The choristers are not only learning the Propers more quickly but are also internalizing the sound of solfege in relation to Gregorian modes. What began as a practical workaround has become a surprising tool in our program.

If you direct a choir—whether children or adults—this might be a simple method to try. With a little preparation, you may find your singers rising to new heights in their chant singing, proclaiming the liturgy with both beauty and confidence.

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 28, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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