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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Music List” for 9 November

Jeff Ostrowski · November 8, 2025

VEN IF SOMEONE commits sin in an isolated and remote forest, it doesn’t matter. God sees everything. Whether one’s work ends up popular makes no difference (ultimately) so long as the work was offered to God. It’s important to make the Sign of the Cross frequently, offering one’s day to God over and over again, and remembering we’ll be held accountable for how we spend every moment of our life. That being said, it can be frustrating to see valuable church projects overlooked. And it can be exceedingly frustrating to see music of inferior quality promoted by those who know better.

9 November Chart • Those who came together to produce the Brébeuf Catholic Hymnal spent more than half a decade in the ‘research’ phase. Countless comparison charts were drawn up, especially of English translations for ancient Latin hymns. I was recently granted permission from SOPHIA INSTITUTE PRESS to share with our readers an example of one of these charts. It is for the Vespers Hymn for 9 November (Dedication of the Lateran Basilica):

*  PDF Download • COMPARISON CHART—[20 versions]
—“Cæléstis urbs Jerúsalem” and “Urbs Jerúsalem beáta.”

Examining that chart will give one a tiny inkling of the immense research required before the Brébeuf Hymnal went to print.

Music List • Readers have expressed interest in examining the “music list” I prepared for this coming Sunday. The COMMUNION is particularly beautiful, as it contains verses from Urbs Jerúsalem Beáta. Specifically, it refers to Christians who get to heaven as ‘living stones’ of Jerusalem: “Stones hewn by the chisel and polished by the countless blows of the Divine Master form this edifice.”

*  PDF Download • MUSIC LIST (9 Nov.)

Terríbilis Est Lócus • The mansion of the LATERANI at Rome was the popes’ residence for a thousand years. The church there is still Rome’s cathedral church—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “Saint John Lateran” owing to its famous baptistery of Saint John the Baptist. The pope’s ‘cathedra’ (episcopal chair) stands in the apse. The feast basically reminds us that a Catholic Church is unlike any other place, since inside it the SECOND PERSON OF THE BLESSED TRINITY becomes present.

Additional Titles for this feast:

Die 9 novembris • In Dedicatione Basilicae Lateranensis
Dedicatio Basilicae Lateranensis, 9 novembris
Die 9 novembris • In Dedicatione Archbasilicae Sanctissimi Salvatoris
The Dedication of the Archbasilica of Our Holy Savior
In Dedicatione Basilicæ Ss. Salvatoris
November 9 • Dedication of the Church of our Savior
Dedication of Our Savior’s Church

Older liturgical books—such as Catholic Almanac & Laity’s Directory (Baltimore)—call it: “Dedication of St. Saviour’s.” We recall that “saint” means holy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 9 November Dedication of Saint John Lateran, Dedicatio Basilicae Lateranensis 9 novembris, Dedication of the Lateran Basilica, In Dedicatione Basilicae Lateranensis, Urbs Jerúsalem beáta Last Updated: November 9, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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