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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do Protestants Have The Best Hymns?

Jeff Ostrowski · August 10, 2025

URING MY conservatory years, I became friends with a Protestant—let’s pretend his name was “Jeremy”—who had an obsession with the 1940 EPISCOPALIAN HYMNAL. To him, it was the most magnificent hymnal ever printed and everything else was inferior. If an error were brought to his attention, Jeremy scrambled for ways to justify it, insisting: “That’s not really an error.” I was just a freshman (while Jeremy was a graduate student) so I kept my opinions to myself. But deep down, his approach bothered me. For Jeremy, it wasn’t about the beauty of the text, the splendor of the melody, or the hymn’s theology—the only thing that mattered was whether it could be found in that book.

“The Same Again, Please!” • Jeremy told me his church repeats the same 4-5 hymns every Sunday (except during Lent and Advent), exclaiming: “I have known these since my youth, and I can sing the bass and tenor parts. It’s just grand!” His statement bothers me to this day. As Professor László Dobszay said famously:

When we say: “The people like this”
we regard them as unable to develop,
as animals rather than human beings,
and we simply neglect our duties in
helping them towards a true human
existence—indeed, in this case, to
truly Christian existence.

Slow Yet Inexorable • In addition to stylistic diversity, I’ve argued there should be a gradual-yet-inexorable introduction of new hymns and chants as the years go by. It’s similar to the situation in rural areas of New York, where the hills are covered with luscious green trees. It’s truly a gorgeous sight … but what makes it even better is how those trees are constantly changing. First they’re green; then they begin turning red and yellow; then the leaves fall to the ground for winter; then sprout once more in spring. The beauty of those trees is enhanced by change. And the same is true for the liturgical year. At my parish, we have different hymns for the different seasons. (For the record, ALL SAINTS on November 1st is one of my favorite times of the year.)

Something similar could be said about television shows. THE ANDY GRIFFITH SHOW was a famous sitcom; but would Jeremy watch just one episode—the same episode—over and over? That isn’t an appropriate way to appreciate it, no matter how much Jeremy may love that particular episode.

False Accusations • I’m sure I’ll receive emails accusing me of advocating “change for the sake of change.” But that isn’t what I’m saying. First of all, at my parish—for each and every Mass—I make sure the congregation knows at least one song by heart. I am fully aware of how long it takes a congregation to learn new music. Moreover, congregations feel a strong affinity for what they’re familiar with, and this is only natural. Father Valentine Young used to say: “I love most dearly those parts of Sacred Scripture with which I’m the most familiar.”

A Myth • It is true that some (not all) Protestant houses of worship sing the same hymns over and over. Certain denominations—such as ‘high’ anglicans—adopted our Proprium Missae, but most didn’t … so hymns are all they have. This endless repetition has ‘imprinted’ those songs on their hearts. They feel strong emotions for them, and this passion has given rise to the idea that Protestant hymnals are the “very best of all.” But is that really true? Several years ago, SOPHIA INSTITUTE PRESS answered this question:

*  PDF Download • Do Protestants Have All The Good Hymns?

In light of that answer, I don’t see how anyone could pretend Protestants have the best hymns!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1940 Episcopalian Hymnal, Do Protestants Have The Best Hymns?, Latin Mass Musical Diversity Last Updated: December 16, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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