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Views from the Choir Loft

Finberg Missal • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages

Jeff Ostrowski · August 18, 2025

Note: This book is the work of Dr. Herbert Patrick Reginald Finberg (1900–1974), a professor at the University of Leicester and (later) a member of ICEL and Rev. Laurence John O’Connell (at one time Master of Ceremonies for Saint Mary of the Lake Seminary a.k.a. “Mundelein”). Father Laurence John O’Connell must not be confused with Canon J. B. O’Connell (1888–1977), a secular priest of the Menevia Diocese in Wales who modified “The Ceremonies of the Roman Rite Described”—after its author, Dr. Adrian Fortescue, died in 1923—and over the next forty years prepared nine more editions. Canon John Berthram O’Connell also published Sacred Music and Liturgy (Sacred Music and Liturgy; The Instruction of the Sacred Congregation of Rites Concerning Sacred Music and Sacred Liturgy in Accordance With the Encyclical Letters of Pope Pius XII: “Musicae Sacrae Disciplina” and “Mediator Dei.”) in 1959. When it comes to the sacred liturgy, there is also Monsignor John Patrick O’Connell (1918-1960) of Chicago.

N TERMS OF sheer beauty—its dark printing that hasn’t faded in more than half a century; its luscious red ink used on every page (not just the ORDO MISSAE); its meticulous type-setting arrangement with Latin alongside English—this Missal was peerless until the Edmund Campion Missal, 3rd edition appeared 80+ years later. Nobody knows who was in charge of this edition, nor who wrote its elegant translations. They are based upon the majestic Bible translation by Monsignor Knox, but they have been (rightly) adjusted to fit the variant used in the traditional Proprium Missae. The fabulous translation by Monsignor Knox was (inexplicably) not chosen for this edition, but that can be found—printed with sumptuous full color—in the Campion, 3rd edition. I’d give anything to know who was responsible for creating this Missal. Whoever edited the propers and orations was truly educated. Consider the lofty language used for the INTROIT on the 13th Sunday after Pentecost:

Bethink thee, Lord, of thy covenant;
wilt thou leave us quite forgotten,
souls unbefriended but for thee?
Bestir thyself, O Lord, to vindicate
thy own cause, and do not neglect
the plea of thy suppliants.

Our blog contributors, Matthew Frederes and Cynthia Ostrowski, collaborated to make this entire book freely available to the entire world without even a login:

*  Complete Download • 1961 Missal
—“The Missal in Latin and English” (London, 1961).

Summary • What can I say about this fantastic production? It’s probably best to let its 1,737 pages speak for it. As I mentioned, I’d give anything to find out the name of its editor, a priest (most likely) who painstakingly crafted each marvelous translation—INTROIT, COLLECT, GRADUAL, etc.—into English. The Holy Week alterations by Pope Pius XII are included, so you’ll notice the Renewal of Baptismal Promises given in both Latin and English. On page 374, there’s a splendid English translation of “CRUX FIDELIS” which I’d never encountered before. It’s extremely ‘British’ but glorious. Without question, this is one of the rarest (and most valuable) treasures our organization has ever made available to the world.

Review in the tablet newspaper dated 5 April 1952:

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: FINBERG MISSAL, Herbert Patrick Reginald Finberg Last Updated: July 31, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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