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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Archives for March 2024

Jeff Ostrowski · March 31, 2024

“Strangest Of All…” • (Fortescue)

In his illustrious 1912 tome—The Mass: A Study Of The Roman Liturgy—Father Adrian Fortescue spoke of sequences, writing: “Strangest of all were the vernacular sequences in France and Germany, or those partly vernacular and partly Latin.” Our volunteer choir experimented with that on Holy Thursday, mixing Latin verses with an English refrain. For the record, […]

Jeff Ostrowski · March 27, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Dedicated to my brother, Father Mark Ostrowski.

Jeff Ostrowski · March 26, 2024

Good Friday’s Dazzling (and Ancient) Hymn

Visit a random church on Sunday morning and ask parishioners basic questions…

Jeff Ostrowski · March 25, 2024

“Stabat Mater Dolorosa” • Four (4) Choral Settings

With a digression on ‘drab’ modern architecture.

Corpus Christi Watershed · March 25, 2024

“Spotted in the Wild” • (CCWatershed Members)

This clip was sent to us. The conductor is Martin Baker!

Corpus Christi Watershed · March 25, 2024

Clarence Thomas Speaks About The Eucharist

Justice Clarence Thomas attended the seminary for several years, including “Conception” (north of Kansas City).

Jeff Ostrowski · March 25, 2024

William Byrd • “Mass for Five Voices”

Working with volunteers can be discouraging, but always remember there’s light at the end of the tunnel. Yesterday, during PALM SUNDAY MASS, our 100% volunteer choir pulled out the SANCTUS from William Byrd’s “Mass for Five Voices.”  This colossal performance was the result. (They literally didn’t know I was going to have them sing that […]

Corpus Christi Watershed · March 24, 2024

PDF Download • “Holy Week Music Schedule” • Saint Mary’s in Norwalk, Connecticut

Expect to hear Morales, Palestrina, Victoria, Pierre de la Rue, Tallis, Haydn, Gounod, Rovetta, Lassus, Byrd, Senfl, Taverner, Wingham, and more.

Fr. David Friel · March 23, 2024

Book Review: Good Music, Sacred Music, and Silence

Becoming Missionaries for the Beautiful

Jeff Ostrowski · March 22, 2024

“Victimæ Paschali Laudes” • Thirty-One (31) Different Versions — Including Organ Accompaniments

This version by Father Adrian Fortescue is fascinating!

Jeff Ostrowski · March 22, 2024

“Reprehensible Chrism Mass” • (Do Not Click)

A disturbing video sent to us from the Diocese of Superior (Wisconsin).

Jeff Ostrowski · March 19, 2024

Church Music • “The Female Voice”

Msgr. Leo Manzetti foolishly wrote: “Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”

Jeff Ostrowski · March 18, 2024

“Simplified” Accomp. (1,700 downloads)

The last one I uploaded was downloaded more than 1,700 times in a matter of hours. Therefore, folks seem interested in such a project.

Dr. Charles Weaver · March 16, 2024

Response to Jeff: Rhythmic Signs Again

I propose that we consider Dom Pothier’s method without making an unnecessary appeal to authority.

Jeff Ostrowski · March 15, 2024

Jeff Ostrowski Attempts to Sing the Easter Introit

I opted for the Church’s official rhythm.

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

Recent Posts

  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”

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