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Views from the Choir Loft

Archives for March 2024

Corpus Christi Watershed · March 15, 2024

Dr. Alfred Calabrese Conducts In Boston Cathedral

“To Richard Clark, music director of the Cathedral of the Holy Cross in Boston, few sounds are as joyful to hear as over 100 children singing in unison…”

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Corpus Christi Watershed · March 14, 2024

“Lenten Polyphony for Two Voices”

On 28 February 2024, we posted this article with two women singing at Mass. Specifically, they were singing a piece for Lent called “Open, O Hard and Sinful Heart.” Since that time, the video has garnered thousands of views on YouTube and reached more than 34,000 on Facebook. If you’d like to download a special […]

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Jeff Ostrowski · March 12, 2024

PDF Download • Lenten Hymn + SATB Refrain

Professor Bouyer later admitted (in his memoirs) that his team of liturgical reformers had been doomed from the start, since their goal was “recasting from top to bottom—𝘢𝘯𝘥 𝘪𝘯 𝘢 𝘧𝘦𝘸 𝘮𝘰𝘯𝘵𝘩𝘴!—an entire liturgy which had required twenty centuries to develop.”

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Jeff Ostrowski · March 11, 2024

“Response to Dr. Weaver” • 11 March 2024

“It would be a barbarous archaism to adopt this ancient custom in our time.” —Dom Guéranger

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Jeff Ostrowski · March 9, 2024

“Church Music Job” • Salary Between $50k – $70k

“I believe any dedicated choirmaster would love to team up with a pastor like this one!” —Jeff Ostrowski

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Jeff Ostrowski · March 9, 2024

The Day My Life Changed Forever

Do we believe sacred music exists?

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Jeff Ostrowski · March 8, 2024

Introit • “Laetare Jerusalem” (4th Sunday of Lent)

Sung according to the official rhythm of the Catholic Church.

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Jeff Ostrowski · March 8, 2024

Ronald Reagan: “My Greatest Dread”

Excerpt (60 seconds) from an interview done in 1985 by the “Reader’s Digest” magazine.

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Jeff Ostrowski · March 7, 2024

Paul Inwood: It’s a “Miracle” (his word) the Traditional Latin Mass Still Exists

How dare I broach such a subject?

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Guest Author · March 6, 2024

Saint Paul’s Choir School • “My Reflections”

Saint Paul’s Choir School is the only all boys Catholic choir school in the nation.

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Jeff Ostrowski · March 5, 2024

Re: “Sacred Music Symposium” (2024)

Today, an announcement was sent out regarding the 2024 Sacred Music Symposium. If you’re not subscribed to our mailing list, you missed this announcement. I’ve tried everything I can think of to get folks to subscribe to our mailing list. Simply scroll to the bottom of any CCW article and enter your email address. It […]

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Corpus Christi Watershed · March 5, 2024

(5 March 2024) • Interview with Diana Corliss

In this interview, Diana speaks about (among other things) the “Colorado Sacred Music Conference.”

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Corpus Christi Watershed · March 4, 2024

PDF Downloads • “Contemporary Sacred Music”

Readers often send us their compositions. Today, we’d like to share some!

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Jeff Ostrowski · March 4, 2024

“The Christian Can Only Be an Optimist!”

From a classic interview with Father Robert Skeris on EWTN.

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Jeff Ostrowski · March 2, 2024

“The Most Captivating Chorale” • (J. S. Bach)

“The mocking reed, and cruell ſpear, Their hate, his love diſplay.”

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”
    When it comes to the Latin language, accent marks aren’t placed on 2-syllable words, because doing so would be excessive. In other words, if a Latin word has two (2) syllables, the first syllable always gets the accent—so there’s no need to mark it. Nevertheless, as the years went on, the ABBEY OF SOLESMES began placing accents on 2-syllable words throughout their publications. Yet, they made exceptions for certain words, and nobody can explain why. For example, they never put an accent on the word simul in Latin, as far as I can tell. Download this PDF file if you wish to see with your own eyes. It seems they omit the accent mark about 20% of the time, which eliminates the possibility of oversight.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (9 July 1971)

Recent Posts

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  • “All Saints Hymn” • Containing a Polyphonic Section
  • A Peculiar Plainsong Practice of the Anglicans
  • 7 Letters • “Simple Music for the Mass Propers”

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