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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Music • “The Female Voice”

Jeff Ostrowski · March 19, 2024

HE LONGER I LIVE, the more I become convinced of the importance of music. My colleague, Professor Wilfrid Jones, has pointed out that one’s body and soul enter into a unique state while singing. In other words, think about the last time you were singing resplendent choral music. Think about how your body, mind, and soul felt. My friends, this is truly a UNIQUE FEELING. I believe God intended for all people to learn to love great music: Guerrero, Sebastian Bach, Morales, Gregorian Chant, Duruflé, Mozart, Zoilo, Machaut, Chopin, Mendelssohn, Palestrina, Marenzio, and so many others.

Female Voice (1 of 3) • Every member of the human race should learn about music. That includes women. POPE SAINT PIUS X on 22 November 1903 published “Inter Pastoralis Officii” (the most comprehensive and far-reaching sacred music document of all time). That document said: “Singers in church have a real liturgical office; women, therefore, being incapable of exercising such office, cannot be admitted to form part of the choir.” We have already treated at length this topic, and I won’t repeat all that. The word choir in that document referred to the “clerical choir” which sat inside the sanctuary. POPE SAINT PIUS X never tried to ban women from singing the Mass propers; nuns in their convents had done this for centuries.

Female Voice (2 of 3) • However, many people erroneously believed POPE SAINT PIUS X banned women from singing during Mass. For example, Bishop Henry J. Althoff of Belleville (Illinois) declared in 1938: “Women organists should be replaced by men wherever possible; but where this isn’t possible the women organists are not to sing together with—or alternate with—the choir of men and boys. In this connection, religious sisters are no longer to function as organists for male choirs.” Monsignor Leo P. Manzetti (d. 1942) was referred to by newspapers as “one of the world’s greatest authorities on Gregorian music” and “an internationally known authority on the music of the Catholic Church.” Nevertheless, Msgr. Manzetti was guilty of the following horrifically halfwitted statement:

“From an artistic standpoint there are no parts of our chants and services that choirs of men and boys cannot perform to better advantage for the spiritual uplifting of the Christian mind. Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”

Female Voice (3 of 3) • Consider the following ‘live’ recording from last Sunday. My choir consists 100% of volunteers—and only the female voices sang for this piece. Even though it has no accompaniment on the pipe organ, I think it’s captivating and powerful. [By the way, don’t use this particular melody during Lent if your congregation has strong German ancestry. In Germany, this tune is reserved for Christmas.]

To access this hymn’s media in the Brébeuf Portal, click here.

Never Repeat • On our blog, we avoid RRR. That is to say, we never “Recycle” or “Regurgitate” or “Repeat” previously-released material. So everything you see on our blog is brand new. All the recordings I share with you are (quite literally) brand new. I don’t just “recycle” old recordings; nor do I “recycle” old articles. We feel that readers appreciate this. For example, the following was recorded last Sunday:

To access this hymn’s media in the Brébeuf Portal, click here.

Preposterous Proposal: In September 1906, someone using the fake name of “Wigornia” published an article promoting ideas I consider cockamamie. Essentially, WIGORNIA was saying females could never sing in the choir, but it would be praiseworthy for them to spend a lifetime studying music so they could instruct others (while they remain excluded). Again, I find such an idea bonkers:

Who Could Argue? • Those who insist that POPE SAINT PIUS X banned women usually point to his words: “women, therefore, being incapable of exercising such office…” The reality is, Pius X always permitted nuns to sing the High Mass. Some object: “Well, if there’s nobody else to sing, women become capable.” But that shows such people don’t understand what the word ‘capable’ means. They are confused; they are not thinking clearly. For example, I’m incapable flying into the air by flapping my wings. I don’t suddenly become capable “if there’s nobody else willing to fly into the air…” On a purely aesthetic level, listen to the following ‘live’ recording starting at marker 0:33—aren’t the female voices beautiful?

To access this hymn’s media in the Brébeuf Portal, click here.

Men + Women Blend • In a society with so many unwholesome activities that could be engaged in, I feel that men and women adoring God by means of song is something to be commended:

To access this hymn’s media in the Brébeuf Portal, click here.

Female Soloist • Finally, consider the solo female voice (after the refrain) in the following video:

To access this hymn’s media in the Brébeuf Portal, click here.

Doesn’t that young lady make a nice effect?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Inter pastoralis officii Pius X, Pius X Banned Women Singers, Sebastian Bach d. 1750 Last Updated: March 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting in 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“If he converses with the learned and judicious, he delights in their talent—if with the ignorant and foolish, he enjoys their stupidity. He is not even offended by professional jesters. With a wonderful dexterity he accommodates himself to every disposition. As a rule, in talking with women (even with his own wife) he is full of jokes and banter.”

— ‘Erasmus on St. Thomas More (England’s 1st lay Chancellor)’

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