Re: “Christ the King Hymnal” (Imprimatur, 1954)
Venerable Pope Pius XII explicitly allowed vernacular hymns during High Mass in 1958.
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Question & Answer Box • “Which Tune Is This?”
Including a live recording of a hymn about a donkey. (Not kidding!)
“Are They Ugly?” • May 1st Propers For Saint Joseph
I fail to see how such a position can be defended…
10 Examples • “Diversity of Musical Styles” at the Traditional Latin Mass
Ten ways to make your musical selections during Mass a delight for all present.
PDF Download • “Sanctus for Three Voices” (Soprano, Alto, and Bass)
Can Gregorian Chant be harmonized? Does it work? Monsignor Jules Vyverman demonstrates for us!
Live Recording • “Jesus My Lord, My God, My All”
Vernacular hymns at Communion during EF High Mass—your thoughts?
(Screenshots) • Proving Holy Saturday Took Place In The Morning
Five reasons keeping Holy Saturday in the morning is a good idea.
Glaring Omission from Post-Vatican II Lectionary
In the 1980s, Father Valentine wrote to a Vatican Congregation in Rome about this omission. It still hasn’t been fixed.
PDF Download • “Essential Liturgical Chart”
I’ve never spent as much time creating a Liturgical Chart as I did for this one.
Gregorian Chant • “How To Sing The Repercussion” (such as: Bistropha, Tristropha, etc.)
Each monastery had its own particular way of singing plainsong.
Feast of the Holy Family • Where did it come from?
The Consilium asked (15 March 1965): “Is it pleasing that the feast of the Holy Family be suppressed?” • Discussion of the First Sunday After Epiphany; the Feast of the Holy Name; the Feast of the Baptism of the Lord; the two (2) instances of different “Jubilate Deo” Offertories which repeat; “Abhinc Duos Annos” (23 October 1913); and many other items+
PDF Download • Several Useful Plainsong Books
“Variae Preces” (1892) — “Cantus Varii” (1902) — “Cantus Varii” (1928) — “Cantus Selecti” (1957)
Should Hymn Lyrics Be Inordinately Archaic?
The question of “Thee, Thy, Thou, Thine” • Speaks about whether referring to the “original version” of a hymn text makes sense • Treatment of the beautiful hymn melody called “Lafitau” and a harmonization by Claude Goudimel (d. 1572) with the melody placed into the Tenor voice+
Catholic Artists and “Self Hatred”
Sviatoslav Richter couldn’t function—much less perform—unless he carried around his pink, plastic lobster for comfort • Have you ever become discouraged about your abilities? Have you ever felt contempt for your early artistic creations? Typos from beautiful books are included in this reflection+
“Christ as Creator” • Remarkable Findings in Ancient Hymns !
Archbishop Sheen immediately replied: “Then I didn’t explain it correctly, because it should be a mystery” • Including Rex Sempiterne Caelitum, Jesu Nostra Redemptio, Vexilla Regis Prodeunt, Auctor Beate Saeculi, A Solis Ortus Cardine, Jesu Redemptor Omnium, Conditor Alme Siderum, Corde Natus Ex Parentis, Pange Lingua Gloriosi, Veni Creator Spiritus, and more!
PDF Download • Rare 1970 Document Explains “Spoken vs. Sung Propers”
This is perhaps the single most significant liturgical document CCWatershed has ever unearthed—and translated to English! • Explains the origin of “Gradual Antiphons” vs. “Missal Antiphons” (a.k.a. “Sacramentary Antiphons”)+
ICEL added “Died” to the Nicene Creed • (I am not kidding!)
I bet you never noticed this, but here’s the proof! • Believe it or not, the Nicene Creed never says Our Lord “died,” and this article provides full documentation; also included are beautiful manuscript images from the greatest Dutch illuminated manuscript in the world: Catherine of Cleves Hours (15th century MS.)+
Helping “Tone-Deaf” Men Match Pitch
(Keven Smith) • Ever had a man express interest in your choir, only to discover that he has trouble matching pitch? You may just need to unlock his high range. Here’s how I’d approach the situation • James C. McKinney is mentioned+
Dom Pothier • “To The Eyes And To The Ears”
For years, I couldn’t understand this business about “the eyes and the ears.” What did Pothier mean? Then it hit me. • Topics include Dom Joseph Pothier, the mora vocis, Abbot Pothier’s brother (Dom Alphonse Pothier), Dom Lucien David, Dom Paul Jausions, and a truly magnificent story about Pope Pius X and Abbot Pothier, which is essential reading+
The “Mora Vocis” • What is that?
The “Pre-NOH” editions have quite an idiosyncratic way of lengthening the neumes. • Fulsome illustrations are included examining and explaining the mora vocis of the Vatican edition; also mentioned is Dom André Mocquereau, Rafael Cardinal Merry del Val, and Pothier’s Liber Gradualis (1883)+
The Real Reason Why Some People Don’t Match Pitch
(Keven Smith) • I’ve come to realize that the vast majority of “tone-deaf” people aren’t really tone-deaf at all. They just haven’t been trained to coordinate their voices with their audiation+
“Spoken vs. Sung Propers” • The Complete History
Lies containing a little truth are the most difficult to quash • Here is the definitive, final exposé on why the “Spoken Propers” don’t match the “Sung Propers.” • In October of 1972, the Bishops’ Committee on the Liturgy falsely equated the “Spoken Propers” with the “Sung Propers” and proclaimed: “These antiphons are too abrupt for communal recitation” • Several official English translations of the Roman Gradual have received the imprimatur multiple times+
Solesmes Publishes “Antiphonale Romanum I” for Lauds
This 2020 chant edition makes possible the chanting of Lauds according to the Liturgy of the Hours.
Introvert, Except at Rehearsal? You May Be an Ambivert
(Keven Smith) • Here are some suggestions on how to get the most out of your unusual combination of skills and traits+
Why Are You a Church Musician, Anyway?
(Keven Smith) • Now is the perfect time for us all to stop and reflect on where we came from as church musicians. What was it that first made you interested in singing, directing, or playing the organ?+