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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2022

Jeff Ostrowski · March 31, 2022

Cardinal Schönborn Consecrates “IKEA Altar”

When Father Fortescue was diagnosed with cancer, he was seen to kiss devoutly the Altar on which he had so frequently celebrated Mass before going to the hospital to die.

Jeff Ostrowski · March 25, 2022

PDF Download • “Missa Philomena” (Philippe Verdelot) — Part 1 has been added.

We already released Part 2; today we release Part 1.

Jeff Ostrowski · March 24, 2022

“Extraordinary Form” • Is This Name Still Allowed?

Fulton J. Sheen reminded us: “Many a pontiff goes through life without making a single infallible decision … not one.”

Jeff Ostrowski · March 20, 2022

“Ah, Holy Jesus” • Lent + Passiontide Hymn

Mr. Currie complained about hymn lyrics that “unduly emphasize the human nature of the Savior.”

Jeff Ostrowski · March 20, 2022

Names Have Been Revealed!

The clinicians for Sacred Music Symposium 2022 have been officially released! You can see them by downloading this PDF file. Please help us spread the word. Thank you!

Jeff Ostrowski · March 15, 2022

“Three Hymns for Lent” • (Rec. 03/10/2022)

Sometimes what goes without saying must be said.

Corpus Christi Watershed · March 13, 2022

“To Hear Before You Die” • Essential Listening Guide

You might have heard parts of the “French Suites” by Bach without even realizing it…

Jeff Ostrowski · March 13, 2022

PDF Download • “Audi Benigne Conditor” (Organ Accompaniment)

Finding the “perfect” accompaniment for hymns can be challenging. Here’s my attempt.

Jeff Ostrowski · March 9, 2022

“Church Music” • Opportunity of a Lifetime!

We’ve streamlined our application process; register online today!

Jeff Ostrowski · March 9, 2022

PDF • “Hymn Suggestions For Each Sunday”

The conscientious choirmaster takes people where they are and then—carefully and prudently—leads them to something higher.

Jeff Ostrowski · March 8, 2022

Surprise! • Bas PDF from Paris

A generous person in Paris sent us the 1921 organ accompaniment to the Requiem Mass (“Missa Pro Defunctis”) harmonized by Julius Bas, who was associated with the Abbey of Solesmes. You can download the entire PDF file for free at the Lalande Library. I must say, what Bas does with Dies Irae sequence is fascinatingly […]

Jeff Ostrowski · March 8, 2022

“Like None Other!” • New Three-Voice Collection

I could not function as a choirmaster without this collection.

Jeff Ostrowski · March 5, 2022

“Communion Hymn For Lent” • (Rec. 3/4/2022)

I believe many choir members will stop coming back if the music is always the same.

Jeff Ostrowski · March 5, 2022

IMPORTANT • Stunning News From Rome!

In this meeting—and subsequent statement—Pope Francis made it clear that institutes like the FSSP are not affected by “Traditionis Custodes.”

Jeff Ostrowski · March 5, 2022

Marvelous News From Pope Francis!

Two members of the Priestly Fraternity of Saint Peter recently met with Pope Francis at the Vatican. (You can read the whole story.) The Pope insisted that the FSSP should be “preserved, protected, and encouraged.” Moreover, Pope Francis made it clear that institutes such as the Fraternity of Saint Peter are not affected by the […]

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Even after 1600 A.D.—despite major changes in musical taste—the compositions of Father Cristóbal de Morales were reprinted at Venice. Indeed, and as late as 1619 A.D. one Venetian publisher found his magnificats still in sufficient demand to make a profitable commercial venture out of issuing a new transcribed version for equal voices.”

— Dr. Robert Murrell Stevenson (d. 2012)

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”

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