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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Three Hymns for Lent” • (Rec. 03/10/2022)

Jeff Ostrowski · March 15, 2022

NE OF MY PROFESSORS used to say: “Sometimes what goes without saying needs to be said.” The Brébeuf hymnal was designed to get congregations singing. The Brébeuf is not a reprint of the Liber Usualis. The Brébeuf is not a reprint of Cantus Varii, the Liber Cantualis, or Cantus Selecti. The Brébeuf is not a reprint of the Antiphonale Romanum or the Liber Gradualis. The Brébeuf hymnal was designed for congregations; therefore, most of its hymns are in English.1 It has never been the tradition in America to have congregations sing hymns in Latin—although Adéste Fidéles is certainly an exception to that rule. Neither is it traditional for priests to preach their homilies in Latin.

Leading The Way: The Brébeuf hymnal contains approximately 700 hymns. It does contain Latin hymns, but these are provided with metrical and literal English translations. The literal translations were done by a brilliant FSSP priest, and—until he contributed his works to the Brébeuf hymnal—several of these ancient Latin hymns had never been given a literal English translation before. The Brébeuf melodies (such as SAXONY) can also be adapted to Latin—it’s a book which inspires and leads the way. Here’s an example of how that works:

*  PDF Download • “O Sol Salutis, Intimis”
—Before 1629AD, this hymn was known as Jam Christe Sol Justitiæ.

Same Melody, 2nd Time: You can also sing that same melody in English. Page 215 in the Brébeuf hymnal has an English translation of Ex More Docti Mystico by Father Fitzpatrick, an Oblate of Mary:

REHEARSAL VIDEOS for each individual voice await you at #215.

Same Melody, 3rd Time: If you look on page 93 of the Brébeuf hymnal, you will see another ancient hymn for Lent: Audi Benigne Conditor. The same melody can be used, with a marvelous translation by Father Fitzpatrick:

REHEARSAL VIDEOS for each individual voice await you at #093.

 


NOTES FROM THIS ARTICLE:

1   Choirs will want to purchase the Brébeuf choral supplement, and organists will want the Brébeuf accompaniment volumes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Audi Benigne Conditor, Ex More Docti Mystico, O Sol Salutis Intimis, Rare Hymns for Lent Last Updated: February 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

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“To get people together once a week without an objective is deadly.”

— Dr. Roger Wagner (19 December 1960)

Recent Posts

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  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
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  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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