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Views from the Choir Loft

President's Corner

Jeff Ostrowski · February 10, 2024

PDF Download • “Chant Chart”

A thoughtful priest from another country wrote me a magnificent message praising a PDF comparison chart I recently posted. It deals with “staffless” CARMEN GREGORIANUM (Gregorian Chant). Download it for free by scrolling to the bottom of this article. Of course, I hope you will read the article instead of just scrolling past it.

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Jeff Ostrowski · February 7, 2024

“Somber Song!” • Sexagesima Sunday

As we approach the holy season of Lent, the prayers and readings become more lengthy. When we arrive at Easter, the prayers and readings will become extremely brief. As we get closer to Lent, some of the music becomes quite somber. I can’t think of a more somber piece than the INTROIT for Sexagesima Sunday. […]

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Jeff Ostrowski · January 27, 2024

“Saint Mark” • Hymn Tune

Regarding the hymn tune called “ST MARK”—have you ever heard or sung this? If you scroll towards the bottom of this recent article, you can hear my choir (which is made up 100% of volunteers) singing it. Some people say the ST MARK melody sounds a little ‘protestant.’ What do you think? I rather like […]

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Jeff Ostrowski · January 24, 2024

“Seeking Employment” • Please help!

You can download my official résumé.

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Jeff Ostrowski · January 18, 2024

Gregorian Chant … with a drone?

It’s possible to sing Carmen Gregorianum with a drone note (a.k.a. “ison”) but is this always a good idea? I’ve heard it done very poorly. We tried singing GLORIA IX with an ison last Sunday. Feel free to listen to this excerpt (Mp3) and let me know your thoughts.

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Jeff Ostrowski · January 18, 2024

Abbat Pothier on Gregorian Chant

“There is, then, in the Church, in the Catholic liturgy, a music that, as we have just stated, is both a word and a song, a music rich and powerful, although simple and natural, a music that is not self-seeking, which does not attend to itself but comes forth as the spontaneous utterance of religious […]

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Jeff Ostrowski · January 12, 2024

Organ Accompaniment Booklet (25 pages)

Those who celebrate VESPERS each week may wish to download my organ accompaniment booklet (25 pages) for the 2nd Sunday after Epiphany. This was originally released about a year ago (link), but minor improvements have been made.

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Jeff Ostrowski · January 11, 2024

Know your hymns? How Well?

Several singers from my choir recently recorded this beautiful hymn (Mp3), using famous lyrics from the Brébeuf Hymnal. How well do you know your hymns? Can you name that tune? If so, please email us. If you correctly name that tune, I’ll declare: “You really know your hymns!”

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Jeff Ostrowski · January 8, 2024

Organ? Or SATB unaccompanied?

Pipe organ (with voices) or unaccompanied SATB? Which do you prefer? Yesterday at Mass, my volunteer choir gave you an opportunity to compare “apples to apples.” Simply click here and compare the first verse with the second. For the record, that melody is called by various names: ALTONA, VOM HIMMEL HOCH, ERFURT, and so on.

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Jeff Ostrowski · January 8, 2024

Simple “Salve Regina” • Its Origins

In the past, I have attempted to determine the origins of the “simple” Salve Regina chant. When it comes to the so-called “restored” plainsong books, the earliest instance I can find (of the simple version) is in the LIBER RESPONSORIALIS, published in 1895, a marvelous book based upon the groundbreaking research of Dom Joseph Pothier. […]

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Jeff Ostrowski · January 3, 2024

Do You Recognize This “Christmas” Tune?

Over the last 70 years, ST VENANTIUS has fallen out of favor. One reason might be that many harmonizations of it are “chunky.” I was pleased to see the Brébeuf Hymnal adopted the harmonization by Dom Gregory Murray (probably the finest ever created for ST VENANTIUS). This morning, I created this pipe organ recording. The […]

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Jeff Ostrowski · December 31, 2023

PDF • January 1st (Organ Accomp. Booklet)

Anyone who wishes to may download the Organ Accompaniment Booklet (22 pages) I created for FIRST VESPERS of January 1st. That feast has various names, including “In Octava Nativitatis Domini.” These organ accompaniment booklets take forever to make!

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Jeff Ostrowski · December 26, 2023

“Corde Natus Ex Parentis” (SATB)

A few minutes ago, I uploaded an English SATB version of “CORDE NATUS EX PARENTIS” (an ancient Christmas hymn by Prudentius). A nifty Latin version is also available. The quickest way to download either is to visit #668 in the Portal and scroll down to where it says: Additional information about Hymn 668. Many people […]

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Jeff Ostrowski · December 15, 2023

Mandatory Advent Piece

Last Sunday, our volunteer choir sang “the mandatory piece” for ADVENT in these United States. Anyone interested can listen to the ‘live’ recording. The claim is sometimes made (erroneously) that this piece can be sung only during the final days of ADVENT. Such an assertion demonstrates a misunderstanding of where this piece came from and […]

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Jeff Ostrowski · December 14, 2023

“Silent Night” • Easy Organ Arrangement

Here’s a handy organ accompaniment (PDF) in three different key signatures: MIDDLE, HIGH, and LOW. The Latin lyrics (“Silens Nox”) are courtesy of Father Valentine Young, OFM (d. 2020). The organ harmonies are very simple, yet beautiful. Those who desire such a thing may also download a Singer’s Version. Choirs will ‘pick up’ this piece […]

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

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