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Corpus Christi Watershed

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Views from the Choir Loft

Featured

Jeff Ostrowski · August 9, 2022

“Could Women Sing At Mass Before Vatican II?”

Does this sound like a “hymn” to you? Or does it sound like a “chant” composition?

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Corpus Christi Watershed · August 8, 2022

“The Memory Will Stay With Me Forever.” —Helen Tsang, who flew 7,797 miles

“Vespers was crafted and conducted masterfully. We chanted each of the psalms in monastic style, alternating the verses between the two sides of the choir. ”

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Jeff Ostrowski · August 8, 2022

PDF Download • “Salve Regina” (32 Versions)

In this article, I examine the elusive provenance of what some have called “the most popular piece of plainsong.”

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Corpus Christi Watershed · August 3, 2022

“Me? A Singer?” – Harrison’s Personal Testimony

“A year ago I knew very little about sacred music, but what a marvelous journey it’s been!” — Harrison Hoge

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Jeff Ostrowski · July 30, 2022

PDF Download • “Contemporary Sanctus” (SATB)

This SATB setting by Father Lhoumeau—although contemporary—certainly adheres to the “rule” of Pope Saint John Paul II.

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Corpus Christi Watershed · July 28, 2022

Isabella Marie • “My Personal Testimony”

“The Sacred Music Symposium was one of the most enjoyable, intense, and spiritually fulfilling experiences of my life.” — Isabella Marie

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Jeff Ostrowski · July 28, 2022

PDF Comparison Chart • “Which Has More Scripture?” — Ordinary or Extraordinary Form?

The answer surprised me!

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Veronica Moreno · July 27, 2022

Church Music Jobs • “March 2023” Installment

Know of additional church music job openings? Please share them!

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Jeff Ostrowski · July 26, 2022

Open Letter to Bishop Roche • “12 Considerations”

I write in response to the 6 July 2022 statement by Pope Francis: “Make your voices heard! If they do not listen to you, shout even louder.”

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Corpus Christi Watershed · July 26, 2022

Breaking! • Official Release of “Stowe Missal Eucharistic Motets” for 3 voices (Kevin Allen)

These pieces for “SAB” (Soprano, Alto, Bass) were commissioned by our organization for the National Eucharistic Revival.

Jeff Ostrowski · July 22, 2022

PDF Download • Professionally-Scanned “Graduale Romanum” (Schwann, 1908) • 1,129 pages!

This is the “pure” Vatican Edition—technically the only version of the rhythm allowed by Church documents!

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Jeff Ostrowski · July 15, 2022

“Hymn For Mary’s Assumption” (15 August) • By Saint Robert Southwell, Priest & Martyr

Installment 3 • “How Has Nobody Done This Before?” (series)

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Corpus Christi Watershed · July 12, 2022

“By day 4, tears were running down my face.”

“The symposium was like nothing I have ever experienced.” — South Dakota Participant

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Jeff Ostrowski · July 9, 2022

“Do You Know This Hymn Composer?” • Orlando Gibbons (d. 1623)

Installment 2 • “How Has Nobody Done This Before?” (series)

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Jeff Ostrowski · July 8, 2022

“I’ll be back next year … but with my entire choir!”

“The symposium exceeded all of my expectations.” — Pediatrician, Choirmaster, and Mother of Six Children

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Corpus Christi Watershed

President’s Corner

    A Popular “Gloria” … in Dutch?
    Close to 16 years ago, I composed a “Glory to God in the Highest” in honor of SAINT RALPH SHERWIN. It was subsequently sung all over the world, and included in various collections (under different titles). You can download the musical score in plainsong notation. It was selected for inclusion in the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary—and here’s its keyboard accompaniment (PDF file). I have a terrible memory, but somebody reminded me it was translated into Dutch (!) in 2012. I have no idea who did this—but you can download the score by clicking here. Because I don’t speak Dutch, I have no idea whether the adaptation was done skillfully.
    —Jeff Ostrowski
    Music List • (26th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 27 September 2026.

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    —Jeff Ostrowski
    “Reminder” — Month of September (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

Recent Posts

  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”
  • Music List • (26th Sund. Ordinary Time)
  • “Anima Christi” for 3 Voices • Truly a Masterpiece!
  • “Plainsong Pop Quiz” • What’s This Called?

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