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Views from the Choir Loft

Isabella Marie • “My Personal Testimony”

Corpus Christi Watershed · July 28, 2022

50572-Sacred-Music-Symposium-Isabella-PHOTOGRAPH
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HAVE NOT studied music for long, but I never knew a time without music in my life. Whether it was through dancing, playing piano, or listening to music at leisure, music was a deeply absorbing fascination. A basic, amateurish music education coupled with an unquenchable curiosity led me to start pursuing a Music degree with an emphasis in Composition.

Beyond My Imagination • The Sacred Music Symposium more than satisfied my craving for knowledge, taught me what is considered Sacred Music, improved my singing, stressed to me the important role of the choir during the Holy Mass, gave me insights into the composition of Sacred Music, and provided me with more resources to access it. It went beyond anything I ever thought of or expected from a five-day event, and it opened my mind to the world of Sacred Music—a world I was wholly unaware of before this summer.

Impressive & Invaluable • At the symposium, I learned from incredible, experienced musicians who are genuinely passionate about sacred music. The sheer amount of work that was put into the symposium booklets and each presentation, along with the knowledge they’ve acquired over years of directing, was impressive and invaluable. It was very stimulating to learn from Jeff Ostrowski and watch his zeal for music, to witness Dr. Alfred Calabrese’s stirring conducting and concentrated instruction, to see Richard Clark and Charles Weaver work with such gusto, and a privilege to sing Kevin Allen’s transcendent pieces. The entire thing was put together by Andrea Leal—and it went off without a hitch—with the assistance of the church’s magnificent organist William Fritz, a thoughtful and gentle person.

Extraordinary Form “Newbie” • From someone relatively new to the Traditional Latin Mass and singing in Latin, it was wonderful and inspiring to see so many well-seasoned musicians, choir directors, and volunteers from different parishes across the country and beyond so passionate about sacred music. When I joined a choir at a parish a little over a month before the symposium, I was exposed to singing chant and hymns. I had experience with choir at the university, but had never sung Gregorian chant. It was a blessing to have joined—and it helped me to engage more with the information I gathered at the symposium (owing to a basic familiarity). I found that even with my limited knowledge of sacred music, I was able to improve greatly. I hope to come back next year with more experience and friends from the university who are interested in sacred music and want to learn how to praise God more reverently and wholeheartedly.

My Personal Testimony • I had come to the symposium to learn more about sacred music, but came back with so much more: inspiration, a sense of community, fire for sharing this special kind of music, a deeper admiration for God and all His gifts, and an experience that I will never forget. The week of the Sacred Music Symposium was one of the most enjoyable, intense, and spiritually fulfilling experiences of my life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Sacred Music Symposium 2022 Last Updated: July 28, 2022

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President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

Recent Posts

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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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