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Views from the Choir Loft

Biography • William J. Fritz

William J. Fritz · January 22, 2020

William J. Fritz is a composer, pianist, organist, liturgical musician and director of music at St. John the Baptist Parish in Costa Mesa, CA. His musical journey began as a child when he lay under the piano while his older sisters practiced for their lessons. From there, he convinced his parents to start him on piano lessons, but not before he had composed his first piano piece, being an autodidact at heart.

He flourished under the instruction of Robert Estrin of LivingPianos.com, under Esther Jones for organ studies, and under both Norman Beede and Robert Cummings for composition.

In high school, he discovered the beauty of chant, attending the St. Michael’s College Prep school, where he had the joy of listening to the canons chant the Mass and Compline every day.

He joined St. Michael’s Abbey in Orange County as a seminarian and for nine years dedicated himself to learning the life they lived. While there, he began organ training and a rigorous, immersive approach to Gregorian chant, serving as apprentice to the canons during his education as seminarian. As part of the training of a seminarian, William also received a master’s in theology from the Oratory of St. Philip Neri in Toronto, Canada.

After leaving the seminary, he became music director and began teaching Gregorian chant, piano, organ and composition around Southern California. The approach William has to music has been deeply molded by the spirit and technique of plainchant through the years spent daily singing and studying with the Norbertine canons.

He now lives in Southern California with his beautiful wife and three children.

He is also the founder of Cyprian Studios, providing tuition in Organ, Piano, Chant and Composition.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: August 20, 2020

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About William J. Fritz

William J. Fritz currently serves as music director at St. John the Baptist Catholic Church in Costa Mesa, CA where he resides with his wife and three boys.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    PDF • “For the Season of Pentecost”
    During the season of Pentecost, you might consider using this 2-page Piece “for the season of Pentecost.” Rehearsal videos are available at #40691, but the lyrics are different. Therefore, make sure your choir members understand that one can rehearse songs that have different lyrics (“CONTRAFACT”).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
    —Jeff Ostrowski
    Volunteer Choir Attempts “Kýrie Eléison”
    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

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