Andrea Leal

Andrea Leal · January 3, 2013 ·

Andrea Leal is a wife and homeschooling mother of 6 children. She has had a lifelong love for music, beauty and the arts. She has played the violin since childhood and first began singing in college with a secular choir. While studying for her Peace and Conflict Studies degree at UC Berkeley, a chance encounter with some Dominican seminarians led to an invitation to attend Mass. There, she heard Gregorian chant sung for the first time, and this led to her conversion to Catholicism. She was received into the Catholic church in 2006 and immediately began singing in a Schola for the Latin Novus Ordo. In 2014, she was asked to form and lead a choir of children to serve the Mass. The Schola Cantorum Gloriae Dei, under the umbrella of the Latin Mass Society of Las Vegas, continues to serve the Traditional Latin Mass on Sundays and Holy Days of Obligation.

About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She holds a Bachelor's Degree from UC Berkeley in Peace and Conflict Studies, and serves as choir director for the Traditional Latin Mass in Las Vegas.

Could Pope St. Pius X Sing?

“On 12 March 1908, the complete publication of the Roman Gradual was issued by the Vatican Press. On that very day, Dom Pothier solemnly presented the first copy to the Holy Father. A witness of the audience says that Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement pro aliquibus locis—it was the Introit of the new Feast of Our Lady of Lourdes. The Pope sang it with perfect taste to the last note.” (Catholic Choirmaster, February 1915)

—Jeff Ostrowski

Julius Bas Accompaniment

A very prolific harmonizer of Gregorian chant in the early 20th century was Mr. Julius Bas. He often uses a very strange technique, wherein he employs rests to eliminate the Alto, Tenor, and Bass voices. Consider what he did with “Lumen ad revelationem” here:

* JPEG • Lumen ad revelationem

It seems quite lazy, and I’ve never seen anyone else use such a technique, although Dr. Peter Wagner often switched to parallel octaves when he ran out of ideas… (Yuck!)

—Jeff Ostrowski

Hitting wrong notes

Fr. Valentine Young, OFM, used to say: “The organist can play 1,000 correct notes and one wrong note—and the only thing people will care about is the wrong note.” Last Sunday I hit some wrong notes, and felt bad. Then I remembered a story about Rudolf Serkin and started to chuckle. Charles Rosen (or was it Leon Fleisher?) told the story of Serkin playing a Beethoven Sonata in front of a large audience. The theme is all in octaves; but Serkin hit some wrong notes, and played parallel 7ths instead. This so unnerved him that every time the theme returned, he played the entire thing in parallel 7ths! We must remember that even the greatest hit wrong notes. Alfred Cortot, Vladimir Horowitz, Wilhelm Backhaus, Edwin Fischer, Sviatoslav Richter, Egon Petri—they all hit wrong notes, which we can hear on recordings. (Josef Hofmann was an exception, but he was super-human so he doesn’t count!)

—Jeff Ostrowski