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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 15, 2025

PDF Download • “Jeff’s Mom Joins Our Fundraiser”

Earlier this year, my mother found out we desperately needed funds and were planning to run a fundraiser…

Jeff Ostrowski · July 14, 2025

“Musicam Sacram” (5 March 1967) • Does It Apply?

During a 2012 job interview with a priest, I was asked…

Mark Haas · July 12, 2025

Worship the Lord in Holy Attire

“Dressing with care and reverence for Mass is a sign—not just to God, but to others—of our awareness of the sacred.”

Dr. Lucas Tappan · July 11, 2025

“How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”

“I don’t claim to be an authority on any of the ideas set forth in the following narrative.” —Dr. Lucas Tappan

Corpus Christi Watershed · July 10, 2025

The Tallis Scholars

This year, Sacred Music Symposium 2025 took part in “Palestrina500” at Sacred Heart in Grand Rapids.

Corpus Christi Watershed · July 8, 2025

Pope Saint Paul VI to Consilium (14 October 1968)

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character.” —Pope Saint Paul VI

Corpus Christi Watershed · July 8, 2025

August 2025 • “Colorado Sacred Music Conference”

Registration is now open!

Jeff Ostrowski · July 7, 2025

New “Latin/English Missal” for the Novus Ordo

This English/Latin missal is being created by several priests and seminarians.

Jeff Ostrowski · July 5, 2025

Bishop François Charrière Vs. Hannibal Bugnini

Bugnini felt his modifications were “desired by all.”

Mark Haas · July 4, 2025

“My First Year with the Latin Mass” • A Music Director’s Perspective

“Assisting at the Traditional Latin Mass has changed me.” —Mark Haas

Corpus Christi Watershed · July 4, 2025

Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

As of 4 July 2025, Bishop Reed’s post on Twitter had received 188,800 views.

Jeff Ostrowski · July 2, 2025

Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

Including a group photograph of Sacred Music Symposium 2025.

Jeff Ostrowski · June 30, 2025

(Rehearsal Clips) • Sacred Music Symposium 2025

Even if I live a hundred years, I’ll never forget last week’s conference!

Keven Smith · June 25, 2025

Hidden Gem: Ascendit Deus (Dalitz)

Save this delightful Ascension motet for next spring. It’s well within reach for even beginning choirs.

Jeff Ostrowski · June 22, 2025

PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

There’s something thrilling about soprano descants!

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The Mass, said in Latin, is the same all over the world. Go where you will, the language is the same; and such unity is in itself a great good, far greater than would be the mere understanding of the words.”

— John Henry Newman (1859)

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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