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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Mark Haas · October 10, 2025

Every Diocesan Music Commission Should Do This

“To assist this process, I have compiled links to the documents…” —Mark Haas

Dr. Alfred Calabrese · October 9, 2025

Exclusive Interview • “Púeri Cantóres” President

On 9 October 2025, I was pleased to interview the legendary Paul French.

Dr. Charles Weaver · October 8, 2025

The Real Miracle of Gregorian Chant

It may not have been dictated into a saintly pope’s ear by a dove, but the real story is no less wonderful.

Daniel Marshall · October 7, 2025

“Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

Ever wonder why the Church is so particular about sacred music? There’s more at stake than you think.

Jeff Ostrowski · October 7, 2025

“Puzzling Comment” • By A Respected FSSP Priest

Once upon a time, Catholics were supposed to attend Mass within their “parochial boundaries.”

Jeff Ostrowski · October 4, 2025

Involving Women in the Communion?

Not long ago, I received a weird telephone call from a man appointed “director of music” for a large USA diocese.

Dr. Myrna Keough · October 3, 2025

“Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough

“Their response was ironic, as we continued to sing both an entrance and communion hymn—and neither were in Latin!” —Dr. Keough

Corpus Christi Watershed · October 2, 2025

“Fulfilled!” • Bride’s Musical Request

Sophia Institute Press has been generous in this regard.

Richard J. Clark · October 2, 2025

Incredible Message of Hope from Michael Olbash

“I’m convinced many of them will go on to be great parish priests, bishops, great theologians, and great political leaders…” —Michael Olbash

Mark Haas · October 1, 2025

My choir is devoid of this generation (And it’s a healthy sign)

“This unique vitality is nowhere more visible than in the choir loft.”

Jeff Ostrowski · September 30, 2025

Good News From The Vatican

This concerns you!

Richard J. Clark · September 29, 2025

I’m tired of tribalism.

“Forgive this recounting of my personal background…” —Richard J. Clark

Corpus Christi Watershed · September 28, 2025

“Allow Us to protect your interests, even against your own will.” —Pope Saint Paul VI

“A choir which eliminates Gregorian Chant will be like a snuffed candle, which no more attracts the eyes and minds of men.”

Julie Huebner · September 27, 2025

Unison • “Deceptively Easy, Relentlessly Unforgiving”

“That’s not just music. That’s Catholicism at its most apostolic, most bold, and most timeless.” —Julie Huebner

Corpus Christi Watershed · September 27, 2025

Church Facelift • Saint Andrew’s (Tipton, Missouri)

You won’t believe this transformation!

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

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