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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · June 18, 2025

Pope Leo XIV pays tribute to Palestrina

“Palestrina500” at the Vatican, with Pope Leo XIV.

Jeff Ostrowski · June 18, 2025

PDF Download • Palestrina’s “Ave Maria”

Including rehearsal videos.

Jeff Ostrowski · June 17, 2025

PDF Download • “2025 Booklet for Participants for the Sacred Music Symposium” — (155 pages)

We feel this conference will be one for the history books!

Jeff Ostrowski · June 12, 2025

PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)

Jeff Ostrowski’s attempt to harmonize the most well-known of all Gregorian chants.

Cynthia Ostrowski · June 11, 2025

Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

Artificial intelligence will never replace authentic polyphony.

Corrinne May · June 9, 2025

PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III

I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong.

Julie Huebner · June 9, 2025

PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)

“I am near to end of my first year as a full-time choirmaster.” — Julie Huebner

Dr. Samuel Backman · June 6, 2025

“Participation” • Recovering its Receptive Dimension

“The goal of our active participation is not that we might shape and mold God, but that he might shape and mold us.” —Dr. Samuel Backman

Jeff Ostrowski · June 4, 2025

“Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Our choir sang so beautifully for this special Mass!

Jeff Ostrowski · June 3, 2025

“Re: Vigil Masses” • Reader Feedback (3 June 2025)

“This question comes up twice this month, both for Pentecost and the Feast of Ss. Peter and Paul.” —Marissa R.

Andrea Leal · May 28, 2025

“The Adalbert Propers” • Six (6) Quotations

“Fewer than 1% of Catholics are able to answer these questions correctly.” —Andrea Leal

Jeff Ostrowski · May 27, 2025

PDF Download • “Entrance Chant” for 29 June … Which Falls on a Sunday This Year!

Growing up, we had an encyclopedia in our basement—but that was hardly the equivalent access to the internet!

Guest Author · May 25, 2025

“Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters

A priest once suggested to me that we “mic” the people in the pews during Mass to make their responses more audible and robust.

Jeff Ostrowski · May 23, 2025

Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

I’d be interested to know what Dr. Weaver thinks about how the mode is given.

Jeff Ostrowski · May 21, 2025

What No Musicologist Can Explain!

How glorious is Gregorian Chant!

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The Lord’s Prayer, among the Greeks, is said by all the people; among us, by the priest alone.”

— Pope Saint Gregory the Great

Recent Posts

  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

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