• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship

Jeff Ostrowski · March 6, 2026

OLLOWING VATICAN II, the funeral Mass was heavily modified. To be honest, it was changed so drastically it no longer bore much resemblance to the original. (A few changes were recently discussed here.) Many feel that, more than any other rite, the “Order of Christian Funerals” needs revision. The traditional REQUIEM MASS was much stronger and more impressive—from a theological standpoint—than the post-conciliar rite. Indeed, Hannibal Bugnini admitted that the traditional prayers were “familiar and even beloved” (his words) by the faithful … as he bragged about eliminating them!

USCCB National Survey • The USCCB Secretariat of Divine Worship is conducting a national service with regard to the ORDER OF CHRISTIAN FUNERALS (Missa in exséquiis). Everyone is encouraged to take the survey using the following link:

*  National Survey • “Order of Christian Funerals”
—Conducted by the USCCB Secretariat of Divine Worship.

Any Real Hope? • For many decades, the USCCB Secretariat of Divine Worship was run by men later revealed to be—if you’ll forgive my bluntness—unethical and corrupt. In recent years, however, several excellent, knowledgeable, and honorable people have been appointed to that committee. For this reason, I encourage everyone to take the survey.

Purpose Of The Survey

It’s unclear what this survey hopes to accomplish.1 Readers will recall that, following the Second Vatican Council, the ORDO EXSEQUIARUM was never translated into English. Over the decades, conflicting explanations have been given for why it was never translated. For myself, I believe the actual answer isn’t a mystery, thanks to the 1987 book by Father Frederick R. McManus (who controlled the committee for many decades). In that book, McManus says over and over again the ancient prayers of the Roman Rite are no good. Therefore, according to McManus, we must start from scratch. He constantly claims that “true renewal” (his words) will never come until we eliminate the ancient prayers and replace them with ‘American’ prayers created out of whole cloth. My understanding is that McManus’s scheme succeeded vis-à-vis the ORDO EXSEQUIARUM. In other words, in the English edition, paraphrases and new texts were substituted for the official rite. This was the great ‘moment of triumph’ for McManus, especially because most Catholics wrongly assumed the texts in the “ORDER OF CHRISTIAN FUNERALS” were translations of the ORDO EXSEQUIARUM.

Apparently, ICEL has created a new version of the ORDO EXSEQUIARUM, which they call the ‘Green Book’. Some believe they have translated faithfully the ORDO EXSEQUIARUM, but others claim ICEL has created new prayers—called “adaptations.” That’s rather terrifying considering ICEL’s track record.

Jeff’s Responses

Some responses I gave:

(1) Although ‘Limbo’ isn’t an official Church teaching, PURGATORY most certainly is. We desperately need more of the traditional REQUIEM prayers, especially those which emphasize praying for the dead. It’s difficult to think of anything more cruel than “canonizing” those who have died.

(2) At the very least, traditional chants such as the DIES IRAE should be included as options. This is doubly true considering that—for reasons which have never been explained in a satisfactory way—the bishops’ conference seems determined to solicit brand new prayers invented out of whole cloth by ICEL. Hannibal Bugnini himself admitted that the traditional REQUIEM prayers were “familiar and even beloved” (his words) by the faithful, even as he bragged about eliminating them.

For example, consider this beautiful excerpt from the DIES IRAE:

“It was me You were seeking out
when, exhausted, You sat by the
well; me that You redeemed when
You suffered on the cross. Do not
allow such toil to have been in vain.”

Vatican II solemnly declared: There must be no innovations unless the good of the Church genuinely and certainly requires them. Did the good of the faithful “genuinely and certainly require” the suppression of the DIES IRAE? Did the good of the faithful “genuinely and certainly require” eliminating references to PURGATORY and praying for the dead?

(3) It is not true the conference lacks power to change the rites by emphasizing the more traditional prayers. As has already been mentioned, the ORDER OF CHRISTIAN FUNERALS for the last 55 years has included “adaptations” (which were paraphrases and new prayers created by ICEL) although very few people realized it. Moreover, the post-conciliar rites have been modified before; e.g. the changes made to the Ordo Lectionum Missae by the Vatican in 1981.

Indeed, the American bishops introduced a (very unfortunate) “reform of the reform” in 2011, when they explicitly allowed propers from the Missal to be sung at Mass. It will be remembered that propria printed in the Missal were intended for “spoken” or “recited” Masses, whereas for sung Masses the propers are supposed to be taken from the ORDO CANTUS MISSAE (1969). The post-conciliar chants have been conveniently printed in the post-conciliar GRADUALE ROMANUM. (Vernacular versions are found at the feasts website.)

(4) It looks quite absurd to see an urn of ashes being sprinkled at funerals. If cremation is necessary (e.g. owing to a pandemic) the ashes should be placed underneath a catafalque to restore basic decency. Cremation ought to be deprecated because the church speaks of “burying” the dead.

(5) Ferdinando Cardinal Antonelli wrote as follows regarding those who modified the funeral rites after Vatican II: “The most acute deficiency in the Consilium ad exsequendam Constitutionem de Sacra Liturgia is the lack of theologians. In fact, it could be said that they had been excluded altogether, which is something dangerous. In the liturgy, every word and every gesture expresses an idea which is always a theological idea.”

Cardinal Antonelli, because he was appointed by Pope Saint Paul VI as “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962, was uniquely positioned to make that comment about the theologians being deliberately “excluded” (his word). Could this explain why the ORDO EXSEQUIARUM does not emphasize praying for the dead?

Conclusion • Sometimes church surveys have the opposite effect. Let’s hope that’s not the case this time! For example, during the ‘synodal’ period, Catholics were told to let church authorities know their desires and what helps them spiritually. But when it was discovered that many young Catholics value the traditional and ancient prayers, those in authority persecuted them in an unprecedented, ruthless, shameful way. Indeed, when he saw what was being done to TLM Catholics, Robert Cardinal Sarah (who’d been hand-picked by Pope Francis to be his chief liturgist at the Vatican) called such persecution “satanic.” So let’s hope this survey does some good.

1 They write as follows: The following national survey seeks to gather information about current pastoral practices related to the “ORDER OF CHRISTIAN FUNERALS” and to evaluate the adequacy and usefulness of the liturgical texts. This survey will accompany the ICEL Green Book translation of the ORDO EXSEQUIARUM to assist the bishops in updating the “ORDER OF CHRISTIAN FUNERALS” according to the principles of LITURGIAM AUTHENTICAM, pastoral need, and practice. For clarity, the survey is divided into two major sections: Section I focuses on the liturgical texts of the ORDER OF CHRISTIAN FUNERALS; Section II focuses on pastoral practice and how these rites are celebrated in ministry.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Frederick McManus Liturgical, MISSA IN EXSEQUIIS, Msgr Frederick R McManus, Order of Christian Funerals, Ordo Exsequiarum 1969, USCCB Secretariat of Divine Worship Last Updated: March 11, 2026

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)
  • Request From Australia
  • PDF Download • “Anima Christi”
  • PDF Download • “Rarer Than a Blue Moon” — Side-by-Side English Translation (Pius XII Psalter)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.