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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 14, 2025

“Musicam Sacram” (5 March 1967) • Does It Apply?

During a 2012 job interview with a priest, I was asked…

Mark Haas · July 12, 2025

Worship the Lord in Holy Attire

“Dressing with care and reverence for Mass is a sign—not just to God, but to others—of our awareness of the sacred.”

Dr. Lucas Tappan · July 11, 2025

“How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”

“I don’t claim to be an authority on any of the ideas set forth in the following narrative.” —Dr. Lucas Tappan

Corpus Christi Watershed · July 10, 2025

The Tallis Scholars

This year, Sacred Music Symposium 2025 took part in “Palestrina500” at Sacred Heart in Grand Rapids.

Corpus Christi Watershed · July 8, 2025

Pope Saint Paul VI to Consilium (14 October 1968)

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character.” —Pope Saint Paul VI

Corpus Christi Watershed · July 8, 2025

August 2025 • “Colorado Sacred Music Conference”

Registration is now open!

Jeff Ostrowski · July 7, 2025

New “Latin/English Missal” for the Novus Ordo

This English/Latin missal is being created by several priests and seminarians.

Jeff Ostrowski · July 5, 2025

Bishop François Charrière Vs. Hannibal Bugnini

Bugnini felt his modifications were “desired by all.”

Mark Haas · July 4, 2025

“My First Year with the Latin Mass” • A Music Director’s Perspective

“Assisting at the Traditional Latin Mass has changed me.” —Mark Haas

Corpus Christi Watershed · July 4, 2025

Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

As of 4 July 2025, Bishop Reed’s post on Twitter had received 188,800 views.

Jeff Ostrowski · July 2, 2025

Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

Including a group photograph of Sacred Music Symposium 2025.

Jeff Ostrowski · June 30, 2025

(Rehearsal Clips) • Sacred Music Symposium 2025

Even if I live a hundred years, I’ll never forget last week’s conference!

Keven Smith · June 25, 2025

Hidden Gem: Ascendit Deus (Dalitz)

Save this delightful Ascension motet for next spring. It’s well within reach for even beginning choirs.

Jeff Ostrowski · June 22, 2025

PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

There’s something thrilling about soprano descants!

Jeff Ostrowski · June 19, 2025

“Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

A few days ago, Dominique Gatté released something quite extraordinary.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use.”

— Fr. Adrian Fortescue (1912)

Recent Posts

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  • Why A “Fugue” Here?

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