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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Charlie Kirk’s Fascination with Traditional Catholic Liturgy

Mark Haas · September 11, 2025

Editor’s Note: We’re a 501(c)3 public charity, established in the state of Texas in 2006. Readers know we don’t cover politics. On the other hand, our policy is to give great leeway to our bloggers. If you’re someone who comes here to avoid political posts, we ask you to simply “keep scrolling.” I emphasize: our policy has always been to give our authors independence.

E ASSASSINATION of Charlie Kirk has sent shockwaves through the entire western world. His passion for truth seeking and debate was inspiring to many who followed him. He was especially passionate about his faith. While identifying as an evangelical protestant, Kirk seemed to be drawn to many Traditional worship elements that exist within Catholic and Orthodox worship.

The Appeal of “Smells and Bells” • Charlie Kirk has repeatedly spoken about the power of traditional liturgy, often contrasting it with the modern entertainment-driven style of worship common in many evangelical settings. On his podcast, he remarked that people are not truly drawn to churches filled with electric guitars, smoke machines, and high production value. Instead, he argued, they long for “tradition, beauty, reverence.” These qualities, often dismissed by contemporary worship leaders, are precisely what Catholic liturgy in its traditional form offers.

Ancient and Beautiful Spaces • Kirk often points to Catholic and Orthodox churches as living witnesses to a faith that has endured. He praises these spaces as “ancient” and “beautiful,” marveling that they have “stood the test of time.”

Unlike evangelical worship centers, which can sometimes resemble concert halls or coffee shops, Catholic and Orthodox churches communicate a sense of permanence. Their architecture, music, and ritual are designed to point upward—to God—rather than inward toward entertainment.

A Generation Restless for Tradition • One of Kirk’s sharpest insights is his observation that younger generations are increasingly disillusioned with the consumerist model of evangelical worship. For many millennials and Gen Z believers, the guitar-driven music and TED Talk-style preaching feel shallow and unsatisfying. Instead, Kirk notes, they are being drawn to the aesthetic and liturgical traditionalism of Catholic and Orthodox services. These traditions provide a depth and seriousness that modern trends cannot replicate, offering something transcendent in a world starved of meaning.

“I Want to Feel Holy” • In a conversation from his Another Signal Chat … And Another Pope? episode, Kirk cut to the heart of his critique: “I don’t need a worship song with electric guitar and smoke. I want to feel holy.” With this statement, he distills what attracts him—and so many others—to Catholic worship: it is not about spectacle, but sanctity.

The Power of Easter Vigil • Perhaps most striking is Kirk’s personal testimony of attending the Catholic Easter Vigil. He described the experience vividly: “I go there … I point up. It’s not a Costco with a rock band and a TED Talk and good coffee … I enjoy the holiness, the beauty, the pageantry, the structure, tradition, and reverence.”

His words reflect a fascination with the Mass as something utterly unlike consumer culture—an encounter with mystery and transcendence.

May he rest in peace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 11, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The idea that the Roman basilica is the ideal design for a Christian church building because it made it possible for the priest and the people to face one another is complete nonsense. That would have been the last thing that the early Christians had in mind.”

— Father Louis Bouyer

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