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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Charlie Kirk’s Fascination with Traditional Catholic Liturgy

Mark Haas · September 11, 2025

Editor’s Note: We’re a 501(c)3 public charity, established in the state of Texas in 2006. Readers know we don’t cover politics. On the other hand, our policy is to give great leeway to our bloggers. If you’re someone who comes here to avoid political posts, we ask you to simply “keep scrolling.” I emphasize: our policy has always been to give our authors independence.

E ASSASSINATION of Charlie Kirk has sent shockwaves through the entire western world. His passion for truth seeking and debate was inspiring to many who followed him. He was especially passionate about his faith. While identifying as an evangelical protestant, Kirk seemed to be drawn to many Traditional worship elements that exist within Catholic and Orthodox worship.

The Appeal of “Smells and Bells” • Charlie Kirk has repeatedly spoken about the power of traditional liturgy, often contrasting it with the modern entertainment-driven style of worship common in many evangelical settings. On his podcast, he remarked that people are not truly drawn to churches filled with electric guitars, smoke machines, and high production value. Instead, he argued, they long for “tradition, beauty, reverence.” These qualities, often dismissed by contemporary worship leaders, are precisely what Catholic liturgy in its traditional form offers.

Ancient and Beautiful Spaces • Kirk often points to Catholic and Orthodox churches as living witnesses to a faith that has endured. He praises these spaces as “ancient” and “beautiful,” marveling that they have “stood the test of time.”

Unlike evangelical worship centers, which can sometimes resemble concert halls or coffee shops, Catholic and Orthodox churches communicate a sense of permanence. Their architecture, music, and ritual are designed to point upward—to God—rather than inward toward entertainment.

A Generation Restless for Tradition • One of Kirk’s sharpest insights is his observation that younger generations are increasingly disillusioned with the consumerist model of evangelical worship. For many millennials and Gen Z believers, the guitar-driven music and TED Talk-style preaching feel shallow and unsatisfying. Instead, Kirk notes, they are being drawn to the aesthetic and liturgical traditionalism of Catholic and Orthodox services. These traditions provide a depth and seriousness that modern trends cannot replicate, offering something transcendent in a world starved of meaning.

“I Want to Feel Holy” • In a conversation from his Another Signal Chat … And Another Pope? episode, Kirk cut to the heart of his critique: “I don’t need a worship song with electric guitar and smoke. I want to feel holy.” With this statement, he distills what attracts him—and so many others—to Catholic worship: it is not about spectacle, but sanctity.

The Power of Easter Vigil • Perhaps most striking is Kirk’s personal testimony of attending the Catholic Easter Vigil. He described the experience vividly: “I go there … I point up. It’s not a Costco with a rock band and a TED Talk and good coffee … I enjoy the holiness, the beauty, the pageantry, the structure, tradition, and reverence.”

His words reflect a fascination with the Mass as something utterly unlike consumer culture—an encounter with mystery and transcendence.

May he rest in peace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 11, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“You should try to eat their food in the way they prepare it, although it may be dirty, half-cooked, and very tasteless. As to the other numerous things which may be unpleasant, they must be endured for the love of God, without saying anything or appearing to notice them.”

— Fr. Paul Le Jeune (1637)

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  • “Reminder” — Month of April (2026)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.