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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2024

Corpus Christi Watershed · October 31, 2024

Pop Quiz • “How Well Do You Know Plainchant?”

Re: the “Communion Antiphon” for the Feast of All Saints (November 1st).

Keven Smith · October 31, 2024

Final Sundays after Pentecost

There’s no reason to get bored at this time of year!

Jeff Ostrowski · October 31, 2024

Music List • (31st Sund. Ordinary Time)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · October 30, 2024

PDF Download • “Entrance Chant in English” (31st Sunday in Ordinary Time) for 3-NOV-2024

With a brief digression on “feelings of inadequacy.”

Jeff Ostrowski · October 29, 2024

“Entrance Chant” for Sunday (3-NOV-2024)

The reformers borrowed this “Entrance Chant” from Wednesday in the 2nd week of Lent.

Jeff Ostrowski · October 29, 2024

Parallel Fifths In Plainsong Accompaniment?

The great masters sometimes even wrote parallel sevenths!

Jeff Ostrowski · October 29, 2024

A Suggestion for Ordinary Form Masses

The idea developed (somehow) that having the priest wait 15 minutes for an item he needs is “good and reverent” liturgy. But that’s false.

Jeff Ostrowski · October 28, 2024

The Truth About Chant Modality

It’s distressing to observe (in certain in quarters) an immature understanding of modality.

Jeff Ostrowski · October 28, 2024

Bishop of Jefferson City Forbids Hymns

Bishop McKnight earned a doctorate in Sacred Theology.

Christopher Mueller · October 28, 2024

*Gasp* — Other Sacred Music Websites!

In a show of “web-ecumenism” I’d like to mention five today.

Jeff Ostrowski · October 26, 2024

Music List • (30th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I’ve prepared for this coming Sunday.

Veronica Moreno · October 26, 2024

PDF Download • “Seasonal Index” for the Brébeuf Hymnal

It’s been downloaded more than 4,000 times, so it seems useful.

Jeff Ostrowski · October 24, 2024

New Treasures Daily?

What lofty language!

Jeff Ostrowski · October 23, 2024

PDF Download • “Like Gold Dust” — Extremely Rare Book of Gregorian Chants (315 pages)

Including “O Come All Ye Faithful” (with Latin text) in a delightful arrangement for two voices.

Rebecca De La Torre · October 22, 2024

Entrance Antiphons • “Transitioning from a Contemporary to Sacred Music Program”

“These are simple propers, but not to the point of being monotone.” —Rebecca De La Torre

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

Recent Posts

  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”

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