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Views from the Choir Loft

Archives for October 2024

Corpus Christi Watershed · October 31, 2024

Pop Quiz • “How Well Do You Know Plainchant?”

Re: the “Communion Antiphon” for the Feast of All Saints (November 1st).

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Keven Smith · October 31, 2024

Final Sundays after Pentecost

There’s no reason to get bored at this time of year!

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Jeff Ostrowski · October 31, 2024

Music List • (31st Sund. Ordinary Time)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

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Jeff Ostrowski · October 30, 2024

PDF Download • “Entrance Chant in English” (31st Sunday in Ordinary Time) for 3-NOV-2024

With a brief digression on “feelings of inadequacy.”

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Jeff Ostrowski · October 29, 2024

“Entrance Chant” for Sunday (3-NOV-2024)

The reformers borrowed this “Entrance Chant” from Wednesday in the 2nd week of Lent.

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Jeff Ostrowski · October 29, 2024

Parallel Fifths In Plainsong Accompaniment?

The great masters sometimes even wrote parallel sevenths!

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Jeff Ostrowski · October 29, 2024

A Suggestion for Ordinary Form Masses

The idea developed (somehow) that having the priest wait 15 minutes for an item he needs is “good and reverent” liturgy. But that’s false.

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Jeff Ostrowski · October 28, 2024

The Truth About Chant Modality

It’s distressing to observe (in certain in quarters) an immature understanding of modality.

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Jeff Ostrowski · October 28, 2024

Bishop of Jefferson City Forbids Hymns

Bishop McKnight earned a doctorate in Sacred Theology.

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Christopher Mueller · October 28, 2024

*Gasp* — Other Sacred Music Websites!

In a show of “web-ecumenism” I’d like to mention five today.

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Jeff Ostrowski · October 26, 2024

Music List • (30th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I’ve prepared for this coming Sunday.

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Veronica Moreno · October 26, 2024

PDF Download • “Seasonal Index” for the Brébeuf Hymnal

It’s been downloaded more than 4,000 times, so it seems useful.

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Jeff Ostrowski · October 24, 2024

New Treasures Daily?

What lofty language!

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Jeff Ostrowski · October 23, 2024

PDF Download • “Like Gold Dust” — Extremely Rare Book of Gregorian Chants (315 pages)

Including “O Come All Ye Faithful” (with Latin text) in a delightful arrangement for two voices.

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Rebecca De La Torre · October 22, 2024

Entrance Antiphons • “Transitioning from a Contemporary to Sacred Music Program”

“These are simple propers, but not to the point of being monotone.” —Rebecca De La Torre

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

Recent Posts

  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)
  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings

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