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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2024

Corpus Christi Watershed · October 31, 2024

Pop Quiz • “How Well Do You Know Plainchant?”

Re: the “Communion Antiphon” for the Feast of All Saints (November 1st).

Keven Smith · October 31, 2024

Final Sundays after Pentecost

There’s no reason to get bored at this time of year!

Jeff Ostrowski · October 31, 2024

Music List • (31st Sund. Ordinary Time)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · October 30, 2024

PDF Download • “Entrance Chant in English” (31st Sunday in Ordinary Time) for 3-NOV-2024

With a brief digression on “feelings of inadequacy.”

Jeff Ostrowski · October 29, 2024

“Entrance Chant” for Sunday (3-NOV-2024)

The reformers borrowed this “Entrance Chant” from Wednesday in the 2nd week of Lent.

Jeff Ostrowski · October 29, 2024

Parallel Fifths In Plainsong Accompaniment?

The great masters sometimes even wrote parallel sevenths!

Jeff Ostrowski · October 29, 2024

A Suggestion for Ordinary Form Masses

The idea developed (somehow) that having the priest wait 15 minutes for an item he needs is “good and reverent” liturgy. But that’s false.

Jeff Ostrowski · October 28, 2024

The Truth About Chant Modality

It’s distressing to observe (in certain in quarters) an immature understanding of modality.

Jeff Ostrowski · October 28, 2024

Bishop of Jefferson City Forbids Hymns

Bishop McKnight earned a doctorate in Sacred Theology.

Christopher Mueller · October 28, 2024

*Gasp* — Other Sacred Music Websites!

In a show of “web-ecumenism” I’d like to mention five today.

Jeff Ostrowski · October 26, 2024

Music List • (30th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I’ve prepared for this coming Sunday.

Veronica Moreno · October 26, 2024

PDF Download • “Seasonal Index” for the Brébeuf Hymnal

It’s been downloaded more than 4,000 times, so it seems useful.

Jeff Ostrowski · October 24, 2024

New Treasures Daily?

What lofty language!

Jeff Ostrowski · October 23, 2024

PDF Download • “Like Gold Dust” — Extremely Rare Book of Gregorian Chants (315 pages)

Including “O Come All Ye Faithful” (with Latin text) in a delightful arrangement for two voices.

Rebecca De La Torre · October 22, 2024

Entrance Antiphons • “Transitioning from a Contemporary to Sacred Music Program”

“These are simple propers, but not to the point of being monotone.” —Rebecca De La Torre

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)

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