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Views from the Choir Loft

Archives for October 2024

Jeff Ostrowski · October 14, 2024

When Liturgists Are Dopey

Jeff shares a ‘quick thought’ regarding the topic of the sacred liturgy.

Daniel Tucker · October 13, 2024

The Best Conducting Advice

The best conducting advice I’ve ever received…

Andrea Leal · October 12, 2024

To Persevere is Sanctity

To be a successful choir director is to sacrifice and to persevere in a nearly insane manner.

Jeff Ostrowski · October 11, 2024

Music List • (28th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · October 11, 2024

“Unsolved Mysteries” • What Happened To This Institute?

Dom Ermin Vitry, OSB, was in charge of building the pipe organ for the Cathedral of Saint Mary of the Immaculate Conception in Peoria, IL.

Jeff Ostrowski · October 10, 2024

PDF Download • “Entrance Chant in English” for the 28th Sunday in Ordinary Time (Year B)

This coming Sunday—13 October 2024—is the 28th in Ordinary Time.

Jeff Ostrowski · October 9, 2024

“Entrance Chant” • For Sunday (13-Oct-2024)

This one’s in Mode 3, imitating the authentic Gregorian chant.

Jeff Ostrowski · October 8, 2024

PDF Download • Choral Extension! • (Corresponding to the “Holy, Holy, Holy” of the Missal Chants)

Probably one of the most valuable PDF scores we’ve ever released.

Keven Smith · October 8, 2024

Finding New Motets

It strikes me that many of the best motets my choir sings are ones I found by accident. These are motets that popped up as YouTube suggestions, or that someone mentioned in a Facebook thread and I casually gave them a listen. The lesson? Be open to finding good sacred music even when you’re not […]

William J. Fritz · October 7, 2024

Mass • “Singing” Vs. “Reciting”

That single change made clear that those present were able to enter more deeply…

Jeff Ostrowski · October 7, 2024

The End Is Coming!

I can’t help but wonder if this is…

Jeff Ostrowski · October 5, 2024

Music List • (27th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I have prepared for this coming Sunday.

Jeff Ostrowski · October 5, 2024

“In Feriis Per Annum” • Kýrie Eléison

For years I’d been meaning to harmonize the famous KYRIE SIMPLEX—but I never got the opportunity until today. Feel free to download the PDF score if you wish. It is “Kyrie XVI,” which in the old books bore the title In Feriis Per Annum.

Jeff Ostrowski · October 4, 2024

MONTH OF OCTOBER — “Reminder”

Since a new month has arrived, it’s my pleasure to remind you that…

Veronica Brandt · October 4, 2024

PDF Download • “Vexilla Regis” in 3 or 4 parts, alternating chant & polyphony

A lovely and practical piece with fantastic safety features for any time adoring the Cross of Jesus.

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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