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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2023

Keven Smith · November 29, 2023

Stumped by Psalms? Try This

St. Robert Bellarmine’s commentary will enlighten you and your singers.

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Jeff Ostrowski · November 29, 2023

Requesting Our Advent Eucharistic Hymn

A young lady named Agnes wrote to us: “Dear Mr. Ostrowski, do you have the PDF score for Ave Corpus Domini set to the ADVENT melody? Last year, we sang the hymn tune “Nun Komm der Heiden Heiland” quite a bit using your contrafactum technique. My choir appreciates the Latin hymns and practice videos, especially […]

Jeff Ostrowski · November 29, 2023

PDF Download • “Eight Gregorian Psalm Tones” (Harmonized by Jeff Ostrowski)

Yesterday, I recorded a video demonstration of each Gregorian Chant tone.

Jeff Ostrowski · November 27, 2023

Four (4) Excellent Hymns for Catholic Funerals

With a brief digression on certain “nasty” traditionalists.

Guest Author · November 26, 2023

“An Initiation to Gregorian Chant” (Msgr. Turco)

Guest article by Father Stephen Concordia, OSB.

Jeff Ostrowski · November 25, 2023

Seven (7) Hymn Verses for November!

In the month of November, we remember in a special way the souls in purgatory. The BRÉBEUF HYMNAL often includes text alone versions for its hymns; why is that? The short answer is: flexibility. The “text only” version allows each choirmaster to employ a myriad of melodies. For example, I recently set the English translation […]

Dr. Charles Weaver · November 25, 2023

Accent and Gregorian Melody

The idea of the tonic accent in Gregorian melody runs through the entire Solesmes tradition from Gontier to Pothier to Mocquereau to the present.

Jeff Ostrowski · November 22, 2023

Worst Hymn Pairing Of All Time?

Are there sickening examples of hymn pairings? Oh, most certainly!

Dr. Charles Weaver · November 22, 2023

Bearing Witness

We Church musicians have a high calling to bear witness to the truth with our music and our lives.

Jeff Ostrowski · November 21, 2023

Jeff Ostrowski’s Performance of Plainsong Attacked as “Inartistic”

The special Vigil of Christmas “Alleluia” sung according to the official rhythm of the Catholic Church.

Veronica Moreno · November 18, 2023

What We See Under the Big Top

For several years, due to the large number of Catholics who attend Mass at this parish, all celebrations have been held in a parking lot under a tent.

Jeff Ostrowski · November 17, 2023

Jeff’s Attempt at Pipe Organ “Stops”

I’ve been attempting to record some Brébeuf hymns on the pipe organ, but I know very little about registration (“stops”). You can listen to this morning’s attempt, a recording of a tune called TRINITY COLLEGE. Do you know this tune? It’s quite nice. Feel free to email me vis-à-vis the registration I chose. To quickly […]

Jeff Ostrowski · November 17, 2023

Pope Saint Paul VI did not outlaw the TLM

This video shows a signatory of the famous “Agatha Christie Indult” talking about Glenn Gould (specifically his Bach interpretations).

Jeff Ostrowski · November 14, 2023

PDF • Morley’s Choral “Warm-Up”

For decades, I was against choral warm-ups. I felt they should be derived from repertoire—killing two birds with one stone—but was often too lazy to prepare such items. Over the years, I have taken a 180° turn. Now I’m a huge believer in vocal “warm-ups.” Our volunteer choir has been enjoying this wonderful warm-up exercise […]

Jeff Ostrowski · November 12, 2023

(14 Examples) • Jeff Ostrowski’s Artistic “Credo”

Including several hymns eminently suitable for the feast of Christ the King.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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