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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What We See Under the Big Top

Veronica Moreno · November 18, 2023

Editor’s Note: In this article, Veronica Moreno reflects on her parish, run by the Priestly Fraternity of Saint Peter. For several years, due to the large number of Catholics who attend Mass at this parish, all celebrations have been held in a parking lot under a tent. Veronica calls this the “Holy Tent.”

HEN WE WERE YOUNG, my husband and I visited Barcelona and the Sagrada Familia. The story of its long construction, spanning decades and generations, is well known (“La Sagrada Familia nears completion after 141 years”). The persistence of Antonio Gaudí is legendary. And the construction site, now a Church, hosts weekly Masses like a parish.

Beautiful things take time to build.

The Sagrada Familia amazes us because things aren’t build like that any more. The beauty of our modern cathedrals isn’t easy to see sometimes. You have to squint and tilt your head, and often times, read the laminated descriptions to understand what the artists meant.

Beautiful things can also be destroyed in an instant. I’m glad to be part of a community that’s working to build beautiful things. While our parish is currently in a “Canvas Church Tent”, being exposed to the weather during Mass isn’t anything new. Here are some reflections on what we see and hear under the big top.

What We See Looking Forward • Looking up, you see the stitching of the canvas, where the roof section meets the back “wall”—a kind of APSE, if you will. Webbed straps hold the two pieces together from one side of the wall to the other, like a zipper. Throughout, the steel frame stretches the canvas. You can count the straps that tie the roof canvas to the steel beams. In this way we’re like Gaudí intended for his church, the weight and the wind means that there’s almost no straight lines. There’s a dip here and a parabola there, as these steel cables strain to be taut.

Looking around, there are construction lights that hang from the beams. The same ones we buy for our backyard pachangas (parties) when we have a baby shower or to light the mariachi’s performance for our tías 65th birthday celebration. I think my husband can tell which hardware store the neon yellow extension cord is from. The cable snakes around the steel pole, a strange vine with stranger produce hanging in the form of LED construction lights.

Then there’s the steel wire that stretches across the beams. Somehow, it strains taut, offering the canvas a place to rest so it doesn’t sag, so the water from the rain doesn’t pool and can drip down on our heads all winter. It worked. We survived the wettest winter in recent memory here.

<em>Wikipedia: open to the sky</em>

What We See Looking at the Sides • All along the sides, are our neighbors: industrial shops and warehouses on the other side of the iron bars atop the cement block wall. In our time there, we’ve painted the wall and someone kindly added cloth along the length of both sides of the “aisles.” Before those cloths, whatever workers were working overtime on Sunday mornings could peer directly at us as we knelt. Well, actually, even after the cloths were put up they can still look directly at us today, but at least they have to strain their eyes to look past the cloth-veil or find the cracks between sections of it.

Oh, and we do have one thing that the Sagrada Familia does not have: flying buttresses! Someone purchased and installed sun shade canvases that hang in the space between the steel structure and the property wall. This “aisle” upgrade instantly gave us hundreds of covered square footage, a truly heroic mercy provided for those of us who had to sit there (with children!) during these scorching southern California summers.

We love this Tent.
We love this parish.
We love these people.
We love this archdiocese.
We love this faith.

Wikipedia: humble beginnings open to the sky (1906)Without any reservation, I compare this tent in a commercial zone of San Fernando to the Sagrada Familia in Barcelona. Why? Because at every Mass something extraordinary happens. Because the bells ring. Because my children are starting to behave. Because there are old ladies and men who use walkers. Because the locals seem to outnumber those who commute.1

Extraordinary Masses • The web site of the Sagrada Familia lists two big Sunday Masses: the “International Masses” and the “International evening Masses.” There’s also three Masses in Catalan and two in Spanish. But at the bottom of the page, there’s another category, curiously named. It says, “Throughout the year the Sagrada Familia hosts extraordinary Masses . . . see the calendar of masses for the upcoming extraordinary events.”

With a cheeky grin I say, “We have those too! Four extraordinary Masses every Sunday. And extraordinary during the week.”

We’re a modern Church. We have our own web app and stream Masses! But you don’t have to squint and tilt your head and research the bulletin to locate and witness beauty. All you have to do is open your heart, close your eyes, and sit under a Holy Tent.

1 Our parish started with a congregation of “commuters” who would drive in from all over southern California. An influx of “commuters” during the pandemic lockdown swelled our numbers. But in the most recent months, our Spanish-speaking local community appears to outnumber the “commuters.” The parish is experiencing organic, local growth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 18, 2023

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The chapter decides that henceforth neither singers nor instrumentalists may be loaned to any outside individual or organization, any more than can the chalices or copes owned by the cathedral. This prohibition applies to all those days of the church calendar for which polyphony is designated.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (13 June 1561)

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