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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for April 2020

Jeff Ostrowski · April 20, 2020

Rehearsal • “Come, Holy Ghost, Creator Blest”

Including information about a *fabulous* liturgical book from the 1950s.

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Jeff Ostrowski · April 20, 2020

From “Vexilla Christus Inclyta”

Non ille regna cládibus, | Non vi metúque súbdidit: | Alto levátus stípite, | Amóre traxit ómnia.—“It is not by combat or force or fear that Christ subdues nations but lifted up upon the tree, he draws all things to himself by love.” Servat fides connúbia, | Juvénta pubet íntegra, | Pudíca florent límina | […]

Jeff Ostrowski · April 20, 2020

As Seen On Facebook…

This Covid-19 crisis has caused results I never expected; and not in a good way.

Fr. David Friel · April 19, 2020

The Offertory Antiphons of the Easter Octave

United by the theme of sacred “commercium”

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Veronica Brandt · April 18, 2020

Why are you sad, O my soul?

It is alright to feel sad. The other alternative would be indifference, and that would be a real tragedy.

Keven Smith · April 18, 2020

Maintaining Easter Joy in a Pandemic

Would you believe Easter Monday is usually one of the darkest days of my year?

William J. Fritz · April 17, 2020

A Blessing and a Curse: Digital Sheet Music

Have you seen a musician using a tablet to read their music as they performed? Ever wondered how that would work in your choir or for you?

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Jeff Ostrowski · April 16, 2020

Yikes! • More Plagiarism from Boise’s Bishop

I did some digging—and the results aren’t pretty. I hope Bishop Christensen will immediately retract his directive, which contains false statements.

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Keven Smith · April 16, 2020

Biography • Keven Smith

Keven earned a Bachelor of Music degree from the Curtis Institute of Music and a Master of Professional Writing degree from the University of Southern California…

William J. Fritz · April 15, 2020

Repeating Repertoire? • William Fritz

As church musicians, we have incredible responsibility and influence.

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Dr. Lucas Tappan · April 14, 2020

The Overtone Series (Truly) Explained

While other musical scales and musical traditions find their origin in the overtone series, only western civilization has developed nature’s original gift into one of the world’s great achievements: Western music.

Jeff Ostrowski · April 14, 2020

PDF Download • “Victimae Paschali” Organ Accompaniment (Nine Versions)

Organ Accompaniments for “Victimae Paschali Laudes” • Some people love it; others hate it. Regardless, Mocquereau never backed down, and we must admire his tenacity!

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Jeff Ostrowski · April 11, 2020

Without Sacraments • How Saint Isaac Jogues Survived

“His wounds were gangrened, his bare feet left tracks of blood on snow and ice, the deerskin he wore was alive with vermin.”

Andrea Leal · April 10, 2020

Do Not Let Your Voice be Silenced

On spiritual dryness and the loss of the sacraments.

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Jeff Ostrowski · April 9, 2020

Brébeuf Hymn #554 • “Victis Sibi” in English

Better late than never!

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Corpus Christi Watershed

President’s Corner

    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words right above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición is based on the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski
    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

Recent Posts

  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong
  • Is the USCCB trolling us?

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