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Views from the Choir Loft

Archives for April 2020

Jeff Ostrowski · April 20, 2020

Rehearsal • “Come, Holy Ghost, Creator Blest”

Including information about a *fabulous* liturgical book from the 1950s.

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Jeff Ostrowski · April 20, 2020

From “Vexilla Christus Inclyta”

Non ille regna cládibus, | Non vi metúque súbdidit: | Alto levátus stípite, | Amóre traxit ómnia.—“It is not by combat or force or fear that Christ subdues nations but lifted up upon the tree, he draws all things to himself by love.” Servat fides connúbia, | Juvénta pubet íntegra, | Pudíca florent límina | […]

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Jeff Ostrowski · April 20, 2020

As Seen On Facebook…

This Covid-19 crisis has caused results I never expected; and not in a good way.

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Fr. David Friel · April 19, 2020

The Offertory Antiphons of the Easter Octave

United by the theme of sacred “commercium”

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Veronica Brandt · April 18, 2020

Why are you sad, O my soul?

It is alright to feel sad. The other alternative would be indifference, and that would be a real tragedy.

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Keven Smith · April 18, 2020

Maintaining Easter Joy in a Pandemic

Would you believe Easter Monday is usually one of the darkest days of my year?

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William J. Fritz · April 17, 2020

A Blessing and a Curse: Digital Sheet Music

Have you seen a musician using a tablet to read their music as they performed? Ever wondered how that would work in your choir or for you?

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Jeff Ostrowski · April 16, 2020

Yikes! • More Plagiarism from Boise’s Bishop

I did some digging—and the results aren’t pretty. I hope Bishop Christensen will immediately retract his directive, which contains false statements.

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Keven Smith · April 16, 2020

Biography • Keven Smith

Keven earned a Bachelor of Music degree from the Curtis Institute of Music and a Master of Professional Writing degree from the University of Southern California…

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William J. Fritz · April 15, 2020

Repeating Repertoire? • William Fritz

As church musicians, we have incredible responsibility and influence.

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Dr. Lucas Tappan · April 14, 2020

The Overtone Series (Truly) Explained

While other musical scales and musical traditions find their origin in the overtone series, only western civilization has developed nature’s original gift into one of the world’s great achievements: Western music.

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Jeff Ostrowski · April 14, 2020

PDF Download • “Victimae Paschali” Organ Accompaniment (Nine Versions)

Organ Accompaniments for “Victimae Paschali Laudes” • Some people love it; others hate it. Regardless, Mocquereau never backed down, and we must admire his tenacity!

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Jeff Ostrowski · April 11, 2020

Without Sacraments • How Saint Isaac Jogues Survived

“His wounds were gangrened, his bare feet left tracks of blood on snow and ice, the deerskin he wore was alive with vermin.”

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Andrea Leal · April 10, 2020

Do Not Let Your Voice be Silenced

On spiritual dryness and the loss of the sacraments.

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Jeff Ostrowski · April 9, 2020

Brébeuf Hymn #554 • “Victis Sibi” in English

Better late than never!

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

  • (Simplified Keyboard Accompaniment) • “Now Thank We All Our God”
  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”
  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)

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