Views from the Choir Loft

The Overtone Series (Truly) Explained

Lucas Tappan · April 14, 2020

F YOU are like many other musicians who now find themselves with more time than usual on their hands, you might try using your newfound time to deepen your understanding of our shared musical craft. To that end, I offer what I consider to be the best explanation of the overtone series ever given by none other than Leonard Bernstein. This short clip comes from a lecture series he gave at Harvard University in 1973, titled The Unanswered Question.

The overtone series is the foundation of western music and its primal language. While other musical scales and musical traditions find their origin in the overtone series, only western civilization has developed nature’s original gift into one of the world’s great achievements: Western music.

If you desire to be truly magnanimous, listen to the entire series of talks (hours upon hours) offered free via YouTube. Bernstein is a master teacher and doesn’t disappoint.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski

2 January 2021 • Temptation

When I see idiotic statements made on the internet, I go nuts. When I see heretics promoted by people who should know better, I get angry. Learning to ignore such items is difficult—very difficult. I try to remember the words of Fr. Valentine Young: “Do what God places in front of you each day.” When I am honest, I don’t believe God wants me to dwell on errors and idiocy; there’s nothing I can do about that. During 2021, I will strive to do a better job following the advice of Fr. Valentine.

—Jeff Ostrowski

31 December 2020 • “COMITES CHRISTI”

The feasts for Saint Stephen Proto-Martyr (26 December), Saint John the Evangelist The Disciple Whom Jesus Loved (27 December), and the Feast of the Holy Innocents (28 December) seem untouched by any liturgical reforms. These are very powerful feasts—I believe they once possessed octaves—and I believe they could sometimes “overpower” a Sunday feast. The rules for octaves in the olden days are extremely complex. These feasts are sometimes referred to as a single entity as: Comites Christi (“Companions of Christ”). This is just a guess, but there seems to be a triple significance: STEPHEN martyred after Christ lived, JOHN was a martyr who knew Christ personally, and the HOLY INNOCENTS were martyred before Christ’s birth.

—Jeff Ostrowski