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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Archives for April 2020

Jeff Ostrowski · April 20, 2020

Rehearsal • “Come, Holy Ghost, Creator Blest”

Including information about a *fabulous* liturgical book from the 1950s.

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Jeff Ostrowski · April 20, 2020

From “Vexilla Christus Inclyta”

Non ille regna cládibus, | Non vi metúque súbdidit: | Alto levátus stípite, | Amóre traxit ómnia.—“It is not by combat or force or fear that Christ subdues nations but lifted up upon the tree, he draws all things to himself by love.” Servat fides connúbia, | Juvénta pubet íntegra, | Pudíca florent límina | […]

Jeff Ostrowski · April 20, 2020

As Seen On Facebook…

This Covid-19 crisis has caused results I never expected; and not in a good way.

Fr. David Friel · April 19, 2020

The Offertory Antiphons of the Easter Octave

United by the theme of sacred “commercium”

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Veronica Brandt · April 18, 2020

Why are you sad, O my soul?

It is alright to feel sad. The other alternative would be indifference, and that would be a real tragedy.

Keven Smith · April 18, 2020

Maintaining Easter Joy in a Pandemic

Would you believe Easter Monday is usually one of the darkest days of my year?

William J. Fritz · April 17, 2020

A Blessing and a Curse: Digital Sheet Music

Have you seen a musician using a tablet to read their music as they performed? Ever wondered how that would work in your choir or for you?

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Jeff Ostrowski · April 16, 2020

Yikes! • More Plagiarism from Boise’s Bishop

I did some digging—and the results aren’t pretty. I hope Bishop Christensen will immediately retract his directive, which contains false statements.

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Keven Smith · April 16, 2020

Biography • Keven Smith

Keven earned a Bachelor of Music degree from the Curtis Institute of Music and a Master of Professional Writing degree from the University of Southern California…

William J. Fritz · April 15, 2020

Repeating Repertoire? • William Fritz

As church musicians, we have incredible responsibility and influence.

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Dr. Lucas Tappan · April 14, 2020

The Overtone Series (Truly) Explained

While other musical scales and musical traditions find their origin in the overtone series, only western civilization has developed nature’s original gift into one of the world’s great achievements: Western music.

Jeff Ostrowski · April 14, 2020

PDF Download • “Victimae Paschali” Organ Accompaniment (Nine Versions)

Organ Accompaniments for “Victimae Paschali Laudes” • Some people love it; others hate it. Regardless, Mocquereau never backed down, and we must admire his tenacity!

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Jeff Ostrowski · April 11, 2020

Without Sacraments • How Saint Isaac Jogues Survived

“His wounds were gangrened, his bare feet left tracks of blood on snow and ice, the deerskin he wore was alive with vermin.”

Andrea Leal · April 10, 2020

Do Not Let Your Voice be Silenced

On spiritual dryness and the loss of the sacraments.

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Jeff Ostrowski · April 9, 2020

Brébeuf Hymn #554 • “Victis Sibi” in English

Better late than never!

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

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  • August 2025 • “Colorado Sacred Music Conference”
  • New “Latin/English Missal” for the Novus Ordo
  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini

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