In Praise of Adaptability
A proposal: if we are going to study something as important and mysterious as Gregorian chant, we ought to be able to perform it convincingly in several different ways.
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

A proposal: if we are going to study something as important and mysterious as Gregorian chant, we ought to be able to perform it convincingly in several different ways.

Dom Mocquereau’s editions are a compromise between tradition and paleography. This explains his sometimes surprising semiological conclusions.
Years ago, I struggled with being a “people pleaser.” (That means saying whatever will please the person standing in front of you.)

I don’t think our readers are interested in what we say about Gregorian rhythm—they’re interested only in what we can demonstrate.
“Perhaps surprisingly, not one word of three syllables in the ancient Easter sequence ‘Laudes Salvatori voce’ is sung to the rhythm of a dactyl.” —Alasdair Codona

Let there be no mistake about it: Dom Mocquereau (illicitly) added the “salicus” in hundreds of places where the official edition has none.

The beginnings of a response to mensuralism from the classic Solesmes point of view.

Fascinating details from never-before-seen letters recently discovered in southern France!

… including a deliciously dazzling discovery you won’t want to miss!

There’s nothing necessarily authentic about the “authentic” rhythm.

The incomparable Andrew Hinkley kindly set it to plainchant notation.
You look upon these thousands of manuscripts in much the same way that I view the plainsong editions of Guillaume-Gabriel Nivers.

A brief historical survey of free rhythm in plainchant, as practiced from the modern monastic foundation of Solesmes (1833) to the present.

Including three (3) professionally-scanned versions of the Kyriale, released here for the 1st time!

“I greatly appreciate your hospitality and willingness to engage in dialogue.” — Dom Concordia, OSB
Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.