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Few Catholics seem to realize it was Pope Pius XII who suppressed Tenebrae, a ceremony deeply loved by the faithful for centuries.
I carefully scanned all 642 pages in (color) high resolution.
This past week, I appeared on the Nikhil Hogan show to talk about Gregorian rhythm and the Vatican edition.
Doesn’t it stand to reason that we should sing from this edition in the manner its creators intended?
Father Mathias served as organist for Strasburg Cathedral, where he founded the “Saint Leo Institute for Church Music” in 1913.
What is he talking about? Where can I go to hear these “aesthetically superior” interpretations? Where can they be found?
Including three separate points on Dom Combe’s shameful and defamatory statement.
An English translation of “Veni Creator Spiritus.”
The Church is a living body, that has grown from a seed to a full grown tree. It can never return to the seed.
This article—a “mini-dissertation” on syllabic plainsong—writes songs using the names of various CCW authors.
Catholic musicians must avoid being viewed as “esoteric freaks” who can’t agree on anything and spend their entire lives fighting about things nobody cares about.
I propose that we consider Dom Pothier’s method without making an unnecessary appeal to authority.
I opted for the Church’s official rhythm.
“It would be a barbarous archaism to adopt this ancient custom in our time.” —Dom Guéranger
Where “Parce Dómine” (the famous song for Lent) came from.
