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“My mantra is that music at Mass should help reveal the face of God to us, so that we might contemplate Jesus Christ truly present in the Eucharist.” —Jerome Cole
You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”
Every Gregorian melody is a precious gift, and every time we meet a melody again, we have a chance to consider some new aspect.
My colleague, Patrick Williams has agreed to enter into a “colloquy” with me vis-à-vis Gregorian rhythm.
“Hymns, Psalms, and Spiritual Canticles”—the most influential post-conciliar hymnal—was never distributed by any large publisher!
We’re living in darkness—but, like the phoenix, authentic Church music can rise from the ashes!
Covid-19 has forced many parishes to remove all hymnals from their pews: A perfect opportunity for change!
The most problematic genre for use in broadcasting is the English setting of the Mass Ordinary since all of the major settings are currently under copyright.
“The tunes and ditties of the radio will be meaningless in the magnitude of one’s final moments; only the psalms can bear the weight of the moment.” —Barry Rose
“The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music
I’ve been searching for this book for twenty years! • For the first time in history, the Graduale Romanum from 1908 (with Solesmes rhythmic markings) has been scanned and uploaded • Includes copious and detailed information about the rhythm of the Editio Vaticana (“Vatican Edition”) you won’t find anywhere else+
JMO Copy (inviolable) St. Jean de Lalande Library of Rare Books “The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music (CUA) HE SAINT Jean de Lalande Library is derived primarily from Jeff Ostrowski’s personal collection of rare […]
I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+
Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.
Is it okay for choirmasters to program the same piece several Sundays in a row?
