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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Search Results for: simple english propers

Guest Article by Mæstro Jerome Cole • Organist, Composer, and Choirmaster

Corpus Christi Watershed · October 19, 2023

“My mantra is that music at Mass should help reveal the face of God to us, so that we might contemplate Jesus Christ truly present in the Eucharist.” —Jerome Cole

Filed Under: Articles Tagged With: Dr Susan Treacy Catholic, Dr Timothy McDonnell Conductor, Indiana, St Joseph Parish Mishawaka Last Updated: April 26, 2025

“Best & Worst Responses” • This Survey Was Responded To By 300+ Church Musicians

Jeff Ostrowski · June 6, 2023

You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”

Filed Under: Articles, Featured, PDF Download Tagged With: Common Hymn Melodies, Inter pastoralis officii Pius X, Monsignor Francis P Schmitt, Motu Proprio Col Nostro Pius X, Pange Lingua Thomas Aquinas, Saint Thomas Aquinas, Thesaurus musicae sacrae Last Updated: July 13, 2023

Beauty Ever Ancient, Ever New

Dr. Charles Weaver · March 7, 2023

Every Gregorian melody is a precious gift, and every time we meet a melody again, we have a chance to consider some new aspect.

Filed Under: Articles Tagged With: Gregorian Chant Last Updated: March 7, 2023

“Gregorian Chant Rhythm Wars” • Ostrowski Vs. Williams

Jeff Ostrowski · November 1, 2022

My colleague, Patrick Williams has agreed to enter into a “colloquy” with me vis-à-vis Gregorian rhythm.

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Filed Under: Articles, Featured Tagged With: Gregorian Rhythm Wars, Gregorian Semiology, litterae significative, Notker, Pothier De Caetero 1906, Romanian Letters, Sémiologie grégorienne Last Updated: December 6, 2022

(Installment #7) “Catholic Hymnals” • Richard J. Clark

Richard J. Clark · September 8, 2020

“Hymns, Psalms, and Spiritual Canticles”—the most influential post-conciliar hymnal—was never distributed by any large publisher!

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Filed Under: Articles Tagged With: Traditional Catholic Hymnals Last Updated: June 27, 2023

Draft Document • “Church Music Manifesto” (2020)

Jeff Ostrowski · June 30, 2020

We’re living in darkness—but, like the phoenix, authentic Church music can rise from the ashes!

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Filed Under: Articles Tagged With: Church Music Manifesto, Guild of Church Musicians Last Updated: June 30, 2020

“Comparison” • 15 Traditional Catholic Hymnals

Guest Author · June 7, 2020

Covid-19 has forced many parishes to remove all hymnals from their pews: A perfect opportunity for change!

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Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes, Dr Theodore Marier, GIA Worship IV Hymnal, Helen Hull Hitchcock Adoremus, Hymns Psalms Spiritual Canticles, Jean de Brebeuf Hymnal, The Catholic Hymnal, Traditional Catholic Hymnals, Traditional Latin Mass Last Updated: March 15, 2022

Broadcasting Holy Mass During Covidtide

Dr. Lucas Tappan · May 26, 2020

The most problematic genre for use in broadcasting is the English setting of the Mass Ordinary since all of the major settings are currently under copyright.

Filed Under: Articles Last Updated: May 27, 2020

Repeating Repertoire? • Dr. Tappan

Dr. Lucas Tappan · March 26, 2020

“The tunes and ditties of the radio will be meaningless in the magnitude of one’s final moments; only the psalms can bear the weight of the moment.” —Barry Rose

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Filed Under: Articles Tagged With: Repeating Repertoire Last Updated: March 30, 2020

St. Jean de Lalande Library of Rare Books

“The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music

Extremely Rare! • 1908 Solesmes Graduale (PDF Download)

Jeff Ostrowski · January 23, 2020

I’ve been searching for this book for twenty years! • For the first time in history, the Graduale Romanum from 1908 (with Solesmes rhythmic markings) has been scanned and uploaded • Includes copious and detailed information about the rhythm of the Editio Vaticana (“Vatican Edition”) you won’t find anywhere else+

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Filed Under: Articles, Featured Tagged With: Dom Eugène Cardine, Gregorian Semiology, melismatic morae vocis, Sémiologie grégorienne Last Updated: January 25, 2023

JMO Copy (inviolable) St. Jean de Lalande Library of Rare Books

Jeff Ostrowski · January 7, 2020

JMO Copy (inviolable) St. Jean de Lalande Library of Rare Books “The judicious searcher in this remarkable online collection will certainly reap great rewards for his effort.” — Fr. Robert A. Skeris, Benjamin T. Rome School of Music (CUA) HE SAINT Jean de Lalande Library is derived primarily from Jeff Ostrowski’s personal collection of rare […]

Filed Under: Articles Last Updated: January 7, 2024

The 1961 Code of Rubrics • Pope St. John XXIII

Jeff Ostrowski · September 3, 2019

I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+

Filed Under: Articles, Featured Tagged With: De Ritibus Servandis, Sanctus Benedictus Split Broken Divided Last Updated: May 30, 2023

“Church Music Manifesto” (2019)

Jeff Ostrowski · January 14, 2019

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

Filed Under: Articles, Featured Tagged With: Church Music Manifesto, Guild of Church Musicians Last Updated: December 22, 2020

Choosing Choral Repertoire

Dr. Lucas Tappan · April 30, 2018

Is it okay for choirmasters to program the same piece several Sundays in a row?

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

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  • Request From Australia
  • PDF Download • “Anima Christi”

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