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Views from the Choir Loft

Jean de Brebeuf Hymnal

Corpus Christi Watershed · February 9, 2022

“A New Era Of Church Music”

Also included are three (3) versions of the Stations of the Cross, by Fulton J. Sheen, Cardinal Ratzinger, and Alphonsus Liguori.

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Jeff Ostrowski · November 11, 2021

11 November 2021 • “Iste Confessor” Hymn

The brief little SATB piece, O Pater Sancte (PDF), has been requested by many. The full title is O Pater Sancte, Mitis Atque Pie (“Father most holy, gracious and forgiving”). The melody occurs many times in the The Saint Jean de Brébeuf Hymnal—including on page 724 with a fabulous translation by Monsignor Knox. The tune […]

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Jeff Ostrowski · October 26, 2021

“Breathtaking Beauty” • Hymn for Christ the King

John Newton—who wrote “Amazing Grace”—was a slave trader, but ended up being caught and made a slave himself!

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Jeff Ostrowski · June 19, 2021

Hymn Translations That Don’t Rhyme?

The Fulton J. Sheen Missal (1961) does something rather puzzling…

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Jeff Ostrowski · June 15, 2021

Hymn • “Christ is King” (Father Ivor Daniel) + Rehearsal Videos!

“Once there were lost islands, but most of them have been found…”

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Jeff Ostrowski · May 26, 2021

What A Roman Catholic Hymnal Looks Like!

How exactly does the “Choral Supplement” look in real life?

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Jeff Ostrowski · May 6, 2021

Question & Answer Box • “Which Tune Is This?”

Including a live recording of a hymn about a donkey. (Not kidding!)

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Jeff Ostrowski · April 21, 2021

“The Fifteen Best Catholic Hymns” • Wait……

Church musicians: Is this what we’re doing wrong?

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Jeff Ostrowski · March 25, 2021

Never Released Before! • Unique Version of “O Sacred Head Surrounded” (SATB)

What is a Catholic Hymnal? How old are these hymns?

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Jeff Ostrowski · November 11, 2020

Should Hymn Lyrics Be Inordinately Archaic?

The question of “Thee, Thy, Thou, Thine” • Speaks about whether referring to the “original version” of a hymn text makes sense • Treatment of the beautiful hymn melody called “Lafitau” and a harmonization by Claude Goudimel (d. 1572) with the melody placed into the Tenor voice+

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Jeff Ostrowski · November 5, 2020

“Christ as Creator” • Remarkable Findings in Ancient Hymns !

Archbishop Sheen immediately replied: “Then I didn’t explain it correctly, because it should be a mystery” • Including Rex Sempiterne Caelitum, Jesu Nostra Redemptio, Vexilla Regis Prodeunt, Auctor Beate Saeculi, A Solis Ortus Cardine, Jesu Redemptor Omnium, Conditor Alme Siderum, Corde Natus Ex Parentis, Pange Lingua Gloriosi, Veni Creator Spiritus, and more!

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Jeff Ostrowski · September 26, 2020

Communication • Re: Modern Catholic Hymns

Are you familiar with “Thaxted”—a beautiful hymn tune?

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Jeff Ostrowski · September 15, 2020

More on the Mystery Book

Examples: Non Abluunt Lymphae Deum, Rebus Creatis Nil Egens, Salve Caput Cruentatum, Sancti Venite, Victis Sibi Cognomina, Hoste Dum Victo Triumphans, and Jam Desinant Suspiria.

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Jeff Ostrowski · September 4, 2020

(Installment #6) “Catholic Hymnals” • Jeff Ostrowski

How to avoid that sickening feeling when you realize nobody—and I mean nobody—in the congregation knows the hymn you picked!

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Jeff Ostrowski · August 13, 2020

“Crown Him with Many Crowns” (Diademata) • Brébeuf Hymnal #752

Big news! They discovered why Franz Schubert’s “Unfinished Symphony” was never completed!

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Corpus Christi Watershed

President’s Corner

    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“Gerard Manley Hopkins once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill.”

— A biography of Fr. Gerard M. Hopkins (d. 1889)

Recent Posts

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  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”

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