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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Crown Him with Many Crowns” (Diademata) • Brébeuf Hymnal #752

Jeff Ostrowski · August 13, 2020

ID YOU HEAR the exciting news? They discovered why Franz Schubert’s “Unfinished Symphony” was never completed! The answer is……   (Sorry; horrible joke from grad school.) Speaking of “missing” stuff, if you haven’t explored the rehearsal videos for each individual voice at the Brébeuf hymnal website, you’re really missing out! In these days of Covid-19 suffering, you can save eons of rehearsal time by having your volunteer singers utilize these! (Singers feel more confident if they can run through their line.)

The hymn “Crown Him with Many Crowns” was written by Matthew Bridges, a disciple of Saint John Henry Newman. Cardinal Newman was never consecrated a bishop—similar to how Avery Cardinal Dulles was a priest and cardinal. The Brébeuf hymnal sets it to DIADEMATA, a sensational tune. (I suspect “Diademata” means crown or diadem.)

Rehearsal videos for each individual voice await you at #752.

Some Catholic hymnals contain pedestrian language with uninspired rhymes. The Brébeuf hymnal promotes sophisticated rhyme schemes, and “Crown Him with Many Crowns” is a good example:

Crown him with many crowns,
The Lamb upon his throne;
Hark! how the heav’nly anthem drowns
All music but its own:
Awake, my soul, and sing
Of him who died for thee,
And hail him as thy matchless king
Through all eternity.

Brébeuf #804 has—in my humble opinion—a rhyme scheme worthy of Msgr. Ronald Knox. Composed by Fr. Dominic Popplewell, FSSP, the entire hymn is based on the book of Genesis, and it’s married with “Rendez à Dieu,” a hymn melody written by Louis Bourgeois (d. 1561), who helped produce the Genevan Psalter and was once imprisoned (3 December 1551) for changing the melodies of well-known psalms “without a license.” This is wonderful melody, and can be found in many Catholic hymnals such as: Adoremus Hymnal (1997) #515; Catholic Hymn Book (London Oratory, 1998) p. 190; Dr. Theodore Marier’s Hymnal (BACS Publishing, 1983) #329. Consider the fourth verse:

4. Evening and morning alternating,
ocean and air were fraught with life,
down in the deep proliferating,
amid the lofty currents rife.
Those sick of sin, physician holy,
direct to penitence profound,
by virtue rising, ever lowly:
so let thy healing grace abound.

Quite impressive!

Here is a beautiful picture of our Lord Jesus Christ, but the 15th-century artist did not include a crown:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Crown Him with Many Crowns, Diademata, Jean de Brebeuf Hymnal Last Updated: August 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

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