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Corpus Christi Watershed

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · January 26, 2023

26 January 2023 • FEEDBACK

“Jeff, I wanted to personally thank you for your spiritual witness at the Symposium & often blogs that you write too. Praying that prayer in the mornings My God, my Father and my all (by Cardinal Merry Del Val), mentioning saints’ stories of Brébeuf, Jogues, John Vianney, monks who fought in WWII, their hard work […]

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Jeff Ostrowski · January 26, 2023

Symposium Draft Schedule Released!

Those who head over to the Symposium Website will notice the tentative schedule for 2023 has been released. This is all very exciting! Very soon, we will begin accepting applications, so please make sure you have subscribed to our mailing list. If you are subscribed, that means you’ll hear announcements before anyone else. (It’s incredibly […]

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Jeff Ostrowski · January 25, 2023

Good Friday Polyphony by L. Senfl

The editor of the Sacred Music Magazine recently made available to the public this splendid article by our own Charles Weaver. It includes an edition of polyphony for the GOOD FRIDAY “Reproaches.” Renaissance composers often set the various offices of Holy Week; e.g. readers will probably be familiar with the beautiful TENEBRAE setting by Father […]

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Jeff Ostrowski · January 21, 2023

Coming Soon! • Symposium 2023

A few weeks ago, dates were announced for Sacred Music Symposium 2023. The rehearsal videos are beginning to appear! For example, the KYRIE ELEYSON contains sections by Lassus, Victoria, and Palestrina. You can see and hear Part 1 at this link. Much more information about this wonderful conference will be released soon!

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Jeff Ostrowski · January 21, 2023

“Have We Gone Mainstream?”

A choir member alerted my wife to this video by Scott Hahn. You perhaps recognize a piece that’s been highly promoted by Corpus Christi Watershed: viz. Father Guerrero’s “Sanctus” from Missa Iste Sanctus. I would be interested to learn which choir made the recording (which heavily abbreviates the piece) and whether they used our rehearsal […]

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Jeff Ostrowski · January 16, 2023

Desperate! • Needing help after robbery

A few years ago, I had valuable books stolen. Recovery efforts with law enforcement have failed, so I’m reaching out to our readers. Can somebody help me obtain VOLUME II and VOLUME VIII of the Nova organi harmonia published in the 1940s and 1950s by the LEMMENSINSTITUUT? As far as I can tell, these volumes can’t […]

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Jeff Ostrowski · January 3, 2023

FEEDBACK … from New Hampshire

Jeff, thanks for the rare Gregorian accompaniments. I just love all the work you do! About 2 years ago, my parish made the decision to ditch all the contemporary Mass settings (Marty Haugen, and so forth) and to only use the Latin! We currently use the [name redacted of a disposable missal] … some of their accompaniments […]

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Jeff Ostrowski · January 2, 2023

2 January 2023 • FEEDBACK

Dear Mr. Ostrowski; I must politely disagree with your friend who said “absolutely nobody cares” about the rare books you share on the blog. The fact is, your raw enthusiasm for these resources teaches me (and presumably others) to care. I admit that sometimes the angles from which you present them—the amount of context, or […]

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Jeff Ostrowski · December 24, 2022

PDF • “Silent Night” Harmonization

Here’s a handy organ accompaniment (PDF) in three different key signatures: MIDDLE, HIGH, and LOW. The Latin lyrics (“Silens Nox”) are courtesy of Father Valentine Young, OFM (d. 2020). The organ harmonies are very simple, yet beautiful. Those who desire such a thing may also download a Singer’s Version. For obvious reasons, the choir will […]

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Jeff Ostrowski · December 23, 2022

23 December 2022 • FEEDBACK

A very skilled conductor from another country—who recently posted a recording any conductor would be proud of, displaying a light, pleasant, and professional choral sound—wrote to us on 23 December 2022: “CCWatershed and the Sacred Music Symposia have made a great mark in my musical career and the sound you hear you can proudly say […]

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Jeff Ostrowski · December 20, 2022

19 Dec. 2022 • “Include The Congregation?”

People often ask: “Can Gregorian Chant include the congregation?” The answer is: Yes! Listen to this Live Recording from last Sunday (which was the 4th Sunday of Advent). That is one model—not the only model—demonstrating how a congregation could be included. It’s KYRIE XVII, traditionally sung during Advent.

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Jeff Ostrowski · December 20, 2022

“Can You Help?” • (Not asking for $ $ $ )

You can help us by adding yourself to our mailing list. It takes less than 5 seconds: (1) Scroll to the bottom of ANY blog article; (2) Enter your email address. It’s that simple. We’re a tiny 501(c)3 public charity. We exist solely by the generosity of small donors. We have no endowment; we have no […]

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Jeff Ostrowski · December 20, 2022

19 Dec. 2022 • “This One Has It All”

In case you missed it, this December 10th article about Dr. Peter Wagner, who founded the GREGORIAN ACADEMY at Fribourg (Switzerland), has it all: (1) A rare download [138 pages] of Dr. Wagner’s Kyriale Accompaniment Book; (2) Biographical information about Dr. Wagner; (3) A special surprise you’ll love; (4) Courtesy of Professor Weaver, a translation […]

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Jeff Ostrowski · December 17, 2022

Available Now! • 4th Sunday of Advent

Those who so desire may now download this organ accompaniment booklet (25 pages) for the 4th Sunday of Advent, including the “O ANTIPHON” for 18 December 2022.

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Jeff Ostrowski · December 8, 2022

“Advent Kyrie” • Plainsong w/ Organ

Those who so desire may now download a live recording of my choir—which consists of 100% volunteer singers—singing the “Advent Kyrie” (KYRIE XVII) last Sunday.

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Corpus Christi Watershed

President’s Corner

    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

The very first question to be considered, of course, was: “Just why does the Sacred Liturgy need renewal at all?” It cannot be denied that there were many present, in the beginning, who felt that the Liturgy was generally very good the way it was; further, if there were to be any improvements, they felt the Sacred Congregation of Rites was the agency properly suited to make those improvements.

— Most Rev’d Robert Emmet Tracy (d. 1980)

Recent Posts

  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story
  • Insane Baroque-Era Dissonance!
  • Explanation of Gregorian Chant • “Using Words Mama Can Understand”
  • “Reminder” — Month of July (2026)

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1 (747) 218-8005
chabanel.psalms@gmail.com
Corpus Christi Watershed
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Corpus Christi, TX 78414

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