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Views from the Choir Loft

President's Corner

Jeff Ostrowski · March 17, 2020

The Ability To Say “I Don’t Know”

Father Valentine Young, OFM, always spoke about people incapable of saying “I don’t know.”  Such people have an answer for everything—as if saying “I don’t know” would cause them physical pain.  That’s how I acted growing up, but I stopped when I reached maturity.  Another thing I did as a kid was insist that I […]

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Jeff Ostrowski · March 17, 2020

Disturbing Trend

Have you noticed how many people these days don’t know what an analogy is?  If I say to John Doe, “that’s the pot calling the kettle black,” frequently John Doe will go around telling everybody I called him an ugly pot.  It’s quite disturbing.  I’ve also noticed that many Americans believe the definition of “possible” […]

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Jeff Ostrowski · March 13, 2020

Internet Bullies

Any Christian who tries to make a difference in the sacred music world must expect to face opposition and scorn. Today, the attacks will frequently come from “internet cowards” who hide behind false names, fake biographies, anonymous blogs, and so forth. Falsehoods and calumnies from anonymous sources are impossible to debunk—because recognition is what they […]

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Jeff Ostrowski · March 6, 2020

Singing in the Papal Choir during the 16th century…

“Juan Sánchez, first admitted in June, 1529, was the most flamboyant member of the generally hot-tempered Spanish section of the choir. In January, 1540, not wishing to sing the part allotted him by the director, he hit him “in the presence of the Sacrament,” thus creating a “very great scandal.” He was imprisoned, but the […]

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Jeff Ostrowski · March 5, 2020

Excerpt (November, 1545) for Choir Members at the Vatican

There were about 32 singers: “A singer need not be in holy orders but must be a man of honor and of good repute. When a new member is proposed, his character shall first be examined, and then he shall be brought to a musical examination conducted by the choir members themselves. The first requisite […]

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Jeff Ostrowski · March 2, 2020

Pope Pius X had been a choirmaster!

During his final year of theological studies at the seminary, Pope Pius X served as choirmaster to the seminarians! While serving as bishop of Mantua, he founded a Schola Cantorum and personally taught courses in sacred music and Cantus Gregorianus. Fascinating!

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Jeff Ostrowski · February 4, 2020

Could Pope St. Pius X Sing?

“On 12 March 1908, the complete publication of the Roman Gradual was issued by the Vatican Press. On that very day, Dom Pothier solemnly presented the first copy to the Holy Father. A witness of the audience says that Pius X wished to be the first to see the new book; he opened it at […]

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Jeff Ostrowski · February 4, 2020

Julius Bas Accompaniment

A very prolific harmonizer of Gregorian chant in the early 20th century was Mr. Julius Bas. He often uses a very strange technique, wherein he employs rests to eliminate the Alto, Tenor, and Bass voices. Consider what he did with “Lumen ad revelationem” here: *  JPEG • Lumen ad revelationem It seems quite lazy, and I’ve […]

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Jeff Ostrowski · February 4, 2020

Hitting wrong notes

Fr. Valentine Young, OFM, used to say: “The organist can play 1,000 correct notes and one wrong note—and the only thing people will care about is the wrong note.” Last Sunday I hit some wrong notes, and felt bad. Then I remembered a story about Rudolf Serkin and started to chuckle. Charles Rosen (or was […]

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Jeff Ostrowski · February 3, 2020

Silence

Saint Peter (II Peter 3:16) says the writings of Saint Paul are extremely difficult to understand—and I Corinthians 14:34-35 seems an example. But I have something else to say about silence in church: it depends upon the time of day. I have responsibility over four (4) Masses each Sunday, and there are “levels” of silence. […]

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Jeff Ostrowski · February 2, 2020

Another Purification “Mystery”…

Re: February 2nd in the EF: The following verse was also removed from the 1962 Missale Romanum. Neither does it appear in the 1962 Graduale Romanum of Solesmes: “Vs. Cum indúcerent púerum Jesum parentes ejus, ut fácerent secúndum consuetúdinem legis pro eo, ipse accépit eum in ulnas suas.” It was deleted from the Antiphon “Respónsum […]

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Jeff Ostrowski · February 2, 2020

“Mystery” about the Purification in the Extraordinary Form

From what I can tell, the chant “Exsúrge, Dómine, ádjuva nos”—which formerly was sung while candles were being distributed, toward the end—was removed in 1962. It does not appear in the official 1962 Missale Romanum. Nor does it appear in the 1961 Solesmes Graduale Romanum. The Liber Usualis has it, but it’s well known that […]

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Jeff Ostrowski · January 28, 2020

Anger at mistakes?

I have a bad habit of getting frustrated when choir members take a long time to learn a particular interval or entrance. But this can be “cured.” It was cured a few weeks ago, when I made a mistake. I was supposed to go down a minor third, but instead I went down a perfect […]

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Jeff Ostrowski · January 26, 2020

“The old man carried the Child, but the Child led the old man.”

The Antiphon for First Vespers of the Feast of the Purification (February 2nd) is beautiful: “The old man carried the Child, but it was the Child who was guiding the old man. The Virgin bore the Child, and after child-bearing was virgin still: whom she bore, him she adored.” —Senex púerum portábat, puer autem senem […]

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Jeff Ostrowski · January 23, 2020

A quote from Fr. Valentine Young

I had one brother who was out of the church for quite a few years. When my mother was asked, “Did she worry about him?” I remember her answer: “I don’t worry about him; I just pray for him.” She left that in God’s hands. My mother did not live to see her son return […]

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Corpus Christi Watershed

President’s Corner

    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story
  • Insane Baroque-Era Dissonance!
  • Explanation of Gregorian Chant • “Using Words Mama Can Understand”

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